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Colouring the Caribbean offers the first comprehensive study of Agostino Brunias's intriguing pictures of colonial West Indians of colour - so called 'Red' and 'Black' Caribs, dark-skinned Africans and Afro-Creoles, and people of mixed race - made for colonial officials and plantocratic elites during the late-eighteenth century. Although Brunias's paintings have often been understood as straightforward documents of visual ethnography that functioned as field guides for reading race, this book investigates how the images both reflected and refracted ideas about race commonly held by…mehr
Colouring the Caribbean offers the first comprehensive study of Agostino Brunias's intriguing pictures of colonial West Indians of colour - so called 'Red' and 'Black' Caribs, dark-skinned Africans and Afro-Creoles, and people of mixed race - made for colonial officials and plantocratic elites during the late-eighteenth century. Although Brunias's paintings have often been understood as straightforward documents of visual ethnography that functioned as field guides for reading race, this book investigates how the images both reflected and refracted ideas about race commonly held by eighteenth-century Britons, helping to construct racial categories while simultaneously exposing their constructedness and underscoring their contradictions. The book offers provocative new insights about Brunias's work gleaned from a broad survey of his paintings, many of which are reproduced here for the first time.
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Autorenporträt
Mia L. Bagneris is Associate Professor of Africana Studies and Art History and Director of the Africana Studies Program at Tulane University.
Inhaltsangabe
Introduction 1 Brunias's tarred brush, or painting Indians black: race ing the Carib divide 2 Merry and contented slaves and other island myths: representing Africans and Afro Creoles in the Anglo American world 3 Brown skinned booty, or colonising Diana: mixed race Venuses and Vixens as the fruits of imperial enterprise 4 Can you find the white woman in this picture? Agostino Brunias's 'ladies' of ambiguous race Coda Pushing Brunias's buttons, or re branding the plantocracy's painter: the afterlife of Brunias's imagery Index
Introduction 1 Brunias's tarred brush, or painting Indians black: race ing the Carib divide 2 Merry and contented slaves and other island myths: representing Africans and Afro Creoles in the Anglo American world 3 Brown skinned booty, or colonising Diana: mixed race Venuses and Vixens as the fruits of imperial enterprise 4 Can you find the white woman in this picture? Agostino Brunias's 'ladies' of ambiguous race Coda Pushing Brunias's buttons, or re branding the plantocracy's painter: the afterlife of Brunias's imagery Index
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