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Analysing why we laugh and what we laugh at, and describing how performers can elicit this response from their audience, this book enables actors to create memorable - and hilarious - performances. Rooted in performance and performance criticism, Sidney Homan and Brian Rhinehart provide a detailed explanation of how comedy works, along with advice on how to communicate comedy from the point of view of both the performer and the audience. Combining theory and performance, the authors analyse a variety of plays, both modern and classic. Playwrights featured include Harold Pinter, Tom Stoppard,…mehr
Analysing why we laugh and what we laugh at, and describing how performers can elicit this response from their audience, this book enables actors to create memorable - and hilarious - performances. Rooted in performance and performance criticism, Sidney Homan and Brian Rhinehart provide a detailed explanation of how comedy works, along with advice on how to communicate comedy from the point of view of both the performer and the audience. Combining theory and performance, the authors analyse a variety of plays, both modern and classic. Playwrights featured include Harold Pinter, Tom Stoppard, Christopher Durang, and Michael Frayn. Acting in Shakespeare's comedies is also covered in depth.
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Autorenporträt
Sidney Homan is Professor of English at the University of Florida, a member of the Academy of Distinguished Teaching Scholars, and an actor and director in commercial and university theatres, The author of eleven books on Shakespeare and the modern theatre, his A Fish in the Moonlight: Growing Upin the Bone Marrow Unit recounts stories of his youth in South Philadelphia and his experience telling them to children on the bone marrow unit of his university's hospital. More recently he has published The Audience As Player: Interactive Theatre Over the Years and Hitler in the Movies: Finding Der Führer on Film.
Inhaltsangabe
Chapter One: Playing the Comic Actor Chapter Two: Comic Truth and Acting Chapter Three: Energy and Intensity Chapter Four: Elements of Comedy for Audience and Actor Chapter Five: Playing the Whole Comedy Chapter Six: All's Well That . . . Chapter Seven: Why We Laugh Chapter Eight: Improv and the Comic Actor
Chapter One: Playing the Comic Actor Chapter Two: Comic Truth and Acting Chapter Three: Energy and Intensity Chapter Four: Elements of Comedy for Audience and Actor Chapter Five: Playing the Whole Comedy Chapter Six: All's Well That . . . Chapter Seven: Why We Laugh Chapter Eight: Improv and the Comic Actor
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