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Jazz legend Cootie Williams left home to start his career as a professional musician at the age of fifteen. In 1940, after eleven years as one of the major soloists with the Duke Ellington orchestra, Williams was lured away to the band of Benny Goodman, one of the most popular bands in the country. At the time, it was a controversial move-it was still taboo for African Americans to share the bandstand with white people. Current references reduce it to a song written by Raymond Scott, "When Cootie Left the Duke." In reality, it was a seismic event. The Black press predicted Black bands would…mehr
Jazz legend Cootie Williams left home to start his career as a professional musician at the age of fifteen. In 1940, after eleven years as one of the major soloists with the Duke Ellington orchestra, Williams was lured away to the band of Benny Goodman, one of the most popular bands in the country. At the time, it was a controversial move-it was still taboo for African Americans to share the bandstand with white people. Current references reduce it to a song written by Raymond Scott, "When Cootie Left the Duke." In reality, it was a seismic event. The Black press predicted Black bands would collapse from raids on their ranks. White musicians were afraid they would be put out of work. And the white press stirred up visions of Black musicians mixing with white women in the new landscape of integrated orchestras.
The twenty years trumpeter Williams spent as a band leader (1942-1962) have been covered in only the barest of details. His involvement in politics and the civil rights movement have not been detailed before. An astute talent scout, Williams and his band launched the careers of Eddie "Cleanhead" Vinson, Earl "Bud" Powell, Eddie "Lockjaw" Davis, and Pearl Bailey. He also was the first to record the music of a young Thelonious Monk, using two of Monk's compositions ("Epistrophy" and "'Round Midnight") as theme songs for his band.
Steven C. Bowie respectfully tells Williams's story, from his Alabama ancestry onward, including many new details rediscovered from the historical archives of the African American press and those gleaned from the author's interviews with his friends and colleagues.
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Autorenporträt
Steven C. Bowie curates and hosts the Duke Ellington-themed podcast Ellington Reflections. He has presented papers on Cootie Williams and Kenny Burrell for conferences held by the Duke Ellington Society of Sweden and written articles for DownBeat and Jazz Improv magazines.
Inhaltsangabe
Introduction Part I—Alabama 1.Mobile Blues 2.Boy Meets Horn 3. A "Young" Professional 4.Florida 5.New York Part II—Duke Ellington (1929) 6.Cotton Club Stomp 7.Catherine 8.Bugle Call Rag 9. The First European Tour 10.Williams, Whetsel, and Stewart 11.Echoes of Harlem 12.Carnegie Hall 13. The Second European Tour Part III—Benny Goodman (1940) 14.When Cootie Left the Duke 15.Benny Rides Again 16.Building a Band Part IV—Cootie Williams, Big Band Leader (1942) 17.Fly Right 18.Back to New York 19. The Impact of War 20.Moe Gale and the Savoy Ballroom 21.Trumpet Student 22.Closing at the Savoy 23.Film Vodvil 24. A Return to the Studio 25.’Round Midnight 26.Personnel Changes 27.Capitol Records 28.Mainstream Press Attention 29. A Change in Management 30. A Year of Change 31.End of an Era Part V—Cootie Williams, Combo Leader (1947) 32.Things Ain’t What They Used to Be 33.Gator 34.Savoy Ballroom Champion 35. The House Band 36.Back to the Studios 37. The Holy City 38.European Triumph 39.Back Home Part VI—Duke Ellington (1962) 40.Drifting Right Back 41. The Road 42. The State Department Tour 43. The Bookends 44. The Road Manager 45.Mortality 46.We Love You Madly Part VII—Mercer Ellington (1974) 47.Now More Than Ever 48.Continuum 49.Unretirement 50. The Last Tenure 51. The Last Tour 52.Passing the Torch Notes Cootie Williams Discography The Compositions of Cootie Williams Awards and Honors Bibliography Acknowledgments Index
Introduction Part I—Alabama 1.Mobile Blues 2.Boy Meets Horn 3. A "Young" Professional 4.Florida 5.New York Part II—Duke Ellington (1929) 6.Cotton Club Stomp 7.Catherine 8.Bugle Call Rag 9. The First European Tour 10.Williams, Whetsel, and Stewart 11.Echoes of Harlem 12.Carnegie Hall 13. The Second European Tour Part III—Benny Goodman (1940) 14.When Cootie Left the Duke 15.Benny Rides Again 16.Building a Band Part IV—Cootie Williams, Big Band Leader (1942) 17.Fly Right 18.Back to New York 19. The Impact of War 20.Moe Gale and the Savoy Ballroom 21.Trumpet Student 22.Closing at the Savoy 23.Film Vodvil 24. A Return to the Studio 25.’Round Midnight 26.Personnel Changes 27.Capitol Records 28.Mainstream Press Attention 29. A Change in Management 30. A Year of Change 31.End of an Era Part V—Cootie Williams, Combo Leader (1947) 32.Things Ain’t What They Used to Be 33.Gator 34.Savoy Ballroom Champion 35. The House Band 36.Back to the Studios 37. The Holy City 38.European Triumph 39.Back Home Part VI—Duke Ellington (1962) 40.Drifting Right Back 41. The Road 42. The State Department Tour 43. The Bookends 44. The Road Manager 45.Mortality 46.We Love You Madly Part VII—Mercer Ellington (1974) 47.Now More Than Ever 48.Continuum 49.Unretirement 50. The Last Tenure 51. The Last Tour 52.Passing the Torch Notes Cootie Williams Discography The Compositions of Cootie Williams Awards and Honors Bibliography Acknowledgments Index
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