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This essential guide provides a comprehensive survey of the most important debates in the criticism and research of contemporary British fiction. Nick Bentley analyses the criticism surrounding a range of British novelists including Monica Ali, Martin Amis, Pat Barker, Alan Hollinghurst, Kazuo Ishiguro, Ian McEwan, David Mitchell, Ali Smith, Zadie Smith, Sarah Waters and Jeanette Winterson. Exploring experiments with literary form, this authoritative book considers cutting-edge concerns relating to the neo-historical novel, the relationship between literature and science, literary geographies,…mehr
This essential guide provides a comprehensive survey of the most important debates in the criticism and research of contemporary British fiction. Nick Bentley analyses the criticism surrounding a range of British novelists including Monica Ali, Martin Amis, Pat Barker, Alan Hollinghurst, Kazuo Ishiguro, Ian McEwan, David Mitchell, Ali Smith, Zadie Smith, Sarah Waters and Jeanette Winterson. Exploring experiments with literary form, this authoritative book considers cutting-edge concerns relating to the neo-historical novel, the relationship between literature and science, literary geographies, and trauma narratives. Engaging with key literary theories, and identifying present trends and future directions in the literary criticism of contemporary British fiction, this is an invaluable resource for undergraduate and postgraduate students of English literature, teachers, researchers and scholars.
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Autorenporträt
Nick Bentley is Senior Lecturer in English at Keele University, UK.
Inhaltsangabe
Series Preface Acknowledgements Chronology Introduction: Historical and Theoretical Contexts 1979-2005 Chapter 1 Narrative Forms: Postmodernism and Realism Martin Amis, London Fields (1989) Alasdair Gray, Poor Things (1992) Zadie Smith, White Teeth (2000) Chapter 2 Writing Contemporary Ethnicities Salman Rushdie, Shame (1983) Courttia Newland, Soceity Within (1999) Monica Ali, Brick Lane (2003) Chapter 3 Gender and Sexuality Angela Carter, The Passion of New Eve (1977) Jeanette Winterson, Oranges Are Not the Only Fruit (1985) Nick Hornby, Fever Pitch (1992) Chapter 4 History, Memory and Writing Graham Swift, Waterland (1983) A. S. Byatt, Possession: A Romance (1990) Ian McEwan, Atonement (2001) Chapter 5 Narratives of Cultural Space Hanif Kureishi, The Buddha of Suburbia (1990) Iain Sinclair, Downriver (1991) Julian Barnes, England, England (1998) Conclusion Student Resources Internet Resources Questions for Discussion Alternative Primary Texts Glossary Guide to Further Reading Index.
Introduction.- Studying Form: Realism, Modernism and Postmodernism.- Politics and Contemporary Fiction.- Class.- Black and Asian British Fiction.- Gender and Sexuality.- Contemporary Historical Fiction.- Geographic Space and National Identity.- Literature and Science (Fiction).- Contemporary Trauma Narratives.- Conclusion.- Notes.- Bibliography.- Index.
Series Preface Acknowledgements Chronology Introduction: Historical and Theoretical Contexts 1979-2005 Chapter 1 Narrative Forms: Postmodernism and Realism Martin Amis, London Fields (1989) Alasdair Gray, Poor Things (1992) Zadie Smith, White Teeth (2000) Chapter 2 Writing Contemporary Ethnicities Salman Rushdie, Shame (1983) Courttia Newland, Soceity Within (1999) Monica Ali, Brick Lane (2003) Chapter 3 Gender and Sexuality Angela Carter, The Passion of New Eve (1977) Jeanette Winterson, Oranges Are Not the Only Fruit (1985) Nick Hornby, Fever Pitch (1992) Chapter 4 History, Memory and Writing Graham Swift, Waterland (1983) A. S. Byatt, Possession: A Romance (1990) Ian McEwan, Atonement (2001) Chapter 5 Narratives of Cultural Space Hanif Kureishi, The Buddha of Suburbia (1990) Iain Sinclair, Downriver (1991) Julian Barnes, England, England (1998) Conclusion Student Resources Internet Resources Questions for Discussion Alternative Primary Texts Glossary Guide to Further Reading Index.
Introduction.- Studying Form: Realism, Modernism and Postmodernism.- Politics and Contemporary Fiction.- Class.- Black and Asian British Fiction.- Gender and Sexuality.- Contemporary Historical Fiction.- Geographic Space and National Identity.- Literature and Science (Fiction).- Contemporary Trauma Narratives.- Conclusion.- Notes.- Bibliography.- Index.
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