Coughing and Clapping: Investigating Audience Experience (eBook, ePUB)

Redaktion: Burland, Karen; Pitts, Stephanie

• Format: ePub

Produktbeschreibung

Coughing and Clapping: Investigating Audience Experience explores the processes and experiences of attending live music events from the initial decision to attend through to audience responses and memories of a performance after it has happened. The book brings together international researchers who consider the experience of being an audience member from a range of theoretical and empirical perspectives. Whether enjoying a drink at a jazz gig, tweeting at a pop concert or suppressing a cough at a classical recital, audience experience is affected by motivation, performance quality, social atmosphere and group and personal identity. Drawing on the implications of these experiences and attitudes, the authors consider the question of what makes an audience, and argue convincingly for the practical and academic value of that question.

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Produktdetails

• Verlag: Taylor & Francis eBooks
• Seitenzahl: 226
• Erscheinungstermin: 13. Mai 2016
• Englisch
• ISBN-13: 9781317158974
• Artikelnr.: 45096660

Autorenporträt

Karen Burland is an Associate Professor in Music Psychology at the University of Leeds. Her published research focuses on jazz audiences and their engagement in live performances in different contexts; the environmental conditions leading to childhood musical success and the professional development of musicians during career transitions; professional and amateur musical identities; and music therapists' use of music technology in therapeutic settings. Karen is a member of the SEMPRE committee and Reviews Editor for British Journal of Music Education. Stephanie Pitts is a Professor of Music Education at the University of Sheffield, UK and author of A Century of Change in Music Education (Ashgate, 2000), Valuing Musical Participation (Ashgate, 2005) and Chances and Choices: Exploring the Impact of Music Education (2012).

Inhaltsangabe

Chapter 1 Prelude
Stephanie Pitts
Karen Burland; Before the Event; Chapter 2 Marketing Live Music
Daragh O'Reilly
Gretchen Larsen
Krzysztof Kubacki; Chapter 3 Musical
Social and Moral Dilemmas
Stephanie Pitts; Chapter 4 Safe and Sound
Robert Kronenburg; During the Event; Chapter 5 Interlude - Audience Members as Researchers
Stephanie Pitts
Karen Burland; Chapter 6 The Value of 'Being There'
Jennifer Radbourne
Katya Johanson
Hilary Glow; Chapter 7 In the Heat of the Moment
Catherine J. Stevens
Roger T. Dean
Kim Vincs
Emery Schubert; Chapter 8 Texting and Tweeting at Live Music Concerts
Lucy Bennett; Chapter 9 Moving the Gong
Karen Burland
Luke Windsor
Christophe de Bézenac
Matthew Bourne
Petter Frost Fadnes
Nick Katuszonek; Chapter 10 Context
Cohesion and Community
Sidsel Karlsen; Chapter 11 Interlude - Lasting Memories of Ephemeral Events
Karen Burland
Stephanie Pitts; Chapter 12 'The Gigs I've Gone To'
Sara Cohen; Chapter 13 Warts and All
Paul Long; Chapter 14 Staying Behind
Melissa C. Dobson
John Sloboda; Chapter 15 Postlude
Karen Burland
Stephanie Pitts;