Counterpoint and Compositional Process in the Time of Dufay (eBook, ePUB)

Perspectives from German Musicology
Redaktion: Moll, Kevin N.

• Format: ePub

Produktbeschreibung

First Published in 1998. Routledge is an imprint of Taylor & Francis, an informa company.

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Produktdetails

• Verlag: Taylor & Francis eBooks
• Seitenzahl: 430
• Erscheinungstermin: 8. April 2014
• Englisch
• ISBN-13: 9781135617332
• Artikelnr.: 40830675

Autorenporträt

Kevin N. Moll

Inhaltsangabe

Toward a Comprehensive View of Compositional Priorities in the Music of Dufay and His Contemporaries
Kevin N. Moll * Dufay-Creator of Fauxbourdon
from Acta Musicologica
Heinrich Besseler * Toward a History of the Genesis of Fauxbourdon
from Acta Musicologica
Rudolf von Ficker * Tonal Harmony and Full Sonority: A Reply to Rudolf von Ficker
from Acta Musicologica
Heinrich Besseler * Harmony in the Cantus-Firmus Compositions of the Fifteenth Century
from Archiv fÿr Musikwissenschaft
Bernhard Meier * The 'Tonal Discant' and 'Free Discant' Techniques of Composition in the Fifteenth Century
from Archiv fÿr Musikwissenschaft
Ernst Apfel * The Cantus-Firmus Question in the Fourteenth and Early Fifteenth Centuries
from Archiv fÿr Musikwissenschaft
Gÿnther Schmidt * The Origin of True Four-Voice Counterpoint in England
from Archiv fÿr Musikwissenschaft
Ernst ApfelFour-Voice Counterpoint in the Fourteenth and Fifteenth Centuries
from Archiv fÿr Musikwissenschaft
Ernst Apfel * The Harmonic Structure of Late Medieval Music as a Foundation of Major-Minor Tonality
from Die Musikforschung
Ernst Apfel * Late Medieval Harmonic Structure and Major-Minor Tonality
from Die Musikforschung
Ernst Apfel * Tonality and Harmony in the French Chanson between Machaut and Dufay
from Archiv fÿr Musikwissenschaft
Wolfgang Marggraf * The Effect of Medieval English Polyphony upon the Development of Continental and Cantus-Firmus Techniques and Tonal Structure
from Archiv fÿr Musikwissenschaft
Ernest H. Sanders Index. Appendix. Bibliography