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A visual journey of Caribbean art profiling more than 60 contemporary Caribbean artists, curated by award winning multidisciplinary artist and textile surface designer, Malene Barnett. Through powerful interviews with more than 60 artists and designers of Caribbean heritage, accompanied by gorgeous photographs, Crafted Kinship takes readers on a unique journey through the world of Black Caribbean creativity. Each maker crafts a kinship with the land, the people, the culture of their country of origin. Their art explores and reflects deeply on themes like African origins, ancestors, Black…mehr
A visual journey of Caribbean art profiling more than 60 contemporary Caribbean artists, curated by award winning multidisciplinary artist and textile surface designer, Malene Barnett. Through powerful interviews with more than 60 artists and designers of Caribbean heritage, accompanied by gorgeous photographs, Crafted Kinship takes readers on a unique journey through the world of Black Caribbean creativity. Each maker crafts a kinship with the land, the people, the culture of their country of origin. Their art explores and reflects deeply on themes like African origins, ancestors, Black womanhood/Black manhood, identity, joy, memory, and the complicated and painful history of migration and diaspora. An art that is more often than not multidisciplinary, created by makers who eschew traditional labels by reshaping the boundaries around art and design. Curated by Malene Barnett, an award-winning multidisciplinary artist and textile surface designer of Jamaican and Vincentian descent, Crafted Kinship is the first book in which Caribbean makers share the intimate stories of their art-making process and how their countries of origin influence and inform how and what they create. Included are makers working across all mediums. Meet Anina Major, a Bahamian visual artist whose work attempts to reclaim the significance of straw basketry through her ceramics; Basil Watson, a Jamaican figurative artist and sculptor famous for his stunning bronze figures that are exhibited outdoors all over the world; Renee Cox, a Jamaican photographer whose work celebrates Black womanhood; La Vaughn Belle, a multidisciplinary artist from St. Croix who draws from archival sources to interrogate colonial legacies; Sonya Clark, a textile artist and educator of Jamaican, Trinidadian, and Bajan heritage who works with hair and other meaningful materials to explore issues of power, race, and gender; and Nyugen E. Smith, an interdisciplinary artist of Trinidadian and Haitian ancestry whose fluid stream of consciousness is expressed through objects, performance, music, and moving image.
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Autorenporträt
Malene Barnett is an award-winning multidisciplinary artist, textile surface designer, and community builder. She earned her MFA in ceramics from the Tyler School of Art and Architecture and undergraduate degrees in fashion illustration and textile surface design from the Fashion Institute of Technology. Malene received a Fulbright Award to travel to Jamaica in 2022-23 as the visiting artist at Edna Manley College of the Visual and Performing Arts in Kingston. Malene's art reflects her African Caribbean heritage, building on her ancestral legacy of mark-making as a visual identity, and has been exhibited at galleries and museums throughout the United States, including the Mindy Solomon Gallery in Miami, the Museum of Science and Industry in Chicago, Sugar Hill Children's Museum of Art & Storytelling in New York City, the African American Museum of Dallas, and Temple Contemporary in Philadelphia. Malene's art and design work has appeared in numerous publications, including the New York Times, Galerie, Elle Decor, Architectural Digest, Departures, and Interior Design. In addition, Malene hosts lectures on advocating for African Caribbean ceramic traditions and has participated in residencies at Anderson Ranch Arts Center, Watershed Center for the Ceramic Arts, Greenwich House Pottery, Judson Studios, the Hambidge Center, and Haystack Mountain School of Crafts. Malene is also the founder of the Black Artists + Designers Guild, which supports independent Black makers globally. When she's not traveling the world researching Black diasporic aesthetics, Malene resides in Brooklyn, New York.
Inhaltsangabe
Introduction Themes and Materials Collective Dedications
On Ancestors and Future Generations: Sights/Sites of Divinity Tiana Webb Evans
The Makers Alison Croney Moses, Guyana Allana Clarke, Trinidad and Tobago Alvaro Barrington, Grenada + Haiti Andrea Chung, Jamaica + Trinidad and Tobago Ania Freer, Jamaica Anina Major, The Bahamas April Bey, The Bahamas Arthur J. Francietta, Martinique Basil Watson, Jamaica Billy Gerard Frank, Grenada BOA, Antigua and Barbuda
Material Practices of Caribbean Artists Throughout the Diaspora Christine Checinska
Closing the Gap: A View of Contemporary Caribbean Art and Design Dr. Marsha Pearce in conversation with Malene Barnett
Camille Chedda, Jamaica Charmaine Watkiss, Jamaica Chelsea McMaster, Antigua and Barbuda Cornelius Tulloch, Jamaica Cosmo Whyte, Jamaica Dana Marie Baugh, Jamaica David Gumbs, Saint Martin Davin K. Ebanks, Cayman Islands Deborah Jack, Saint Martin Dianne Smith, Belize Donald Baugh, Jamaica Fabiola Jean-Louis, Haiti Firelei Báez, Dominican Republic + Haiti
Words to Live By
Collecting Contemporary Caribbean Art and Design Dr. Kenneth Montague
Curating Contemporary Black Caribbean Art and Design Michelle Joan Wilkinson
George McCalman, Grenada Giana De Dier, Saint Lucia+ Barbados Ibiyanε: Elodie Dérond and Tania Doumbe Fines, Martinique Ishka Designs: Anishka Clarke and Niya Bascom, Jamaica + Guyana Jasmine Thomas-Girvan, Jamaica Johanna Bramble, Dominica Joiri Minaya, Dominican Republic Juana Valdes, Cuba Katrina A. Coombs, Jamaica Kelly Walters, Jamaica Kraig Yearwood, Barbados
Places of Inspiration
Ways to Rest and Rejuvenate
La Vaughn Belle, Saint Croix Lavar Munroe, The Bahamas Leonardo Perez, Haiti + Dominican Republic Leyden Lewis, Trinidad and Tobago Lisandro Suriel, Saint Martin M. Florine Démosthène, Haiti Malene Djenaba Barnett, Jamaica + Saint Vincent and the Grenadines Mark M. Fleuridor, Haiti Marlon A. Darbeau, Trinidad and Tobago Morel Doucet, Haiti Nadia Liz Estela, Dominican Republic Nina Cooke John, Jamaica Nyugen E. Smith, Trinidad and Tobago Ouigi Theodore, Haiti
Ancestors Althea McNish Christine Checinska Ronald Moody Sandy Jones
Paul Anthony Smith, Jamaica Pauline Marcelle-Johann, Dominica Renee V. Cox, Jamaica Robert A. G. Young, Trinidad and Tobago Roberto Lugo, Puerto Rico Sandra Brewster, Guyana Sharon Norwood, Jamaica Shenequa Brooks, Saint Kitts and Nevis + Saint Martin Simon Benjamin, Jamaica Soca Architecture: Tura Cousins Wilson and Shane Laptiste, Jamaica + Guyana & Grenada Sonya Clark, Jamaica + Barbados Storm Saulter, Jamaica Studio 397: Samantha Rafilia Josaphat and Luis Medina-Carreto, Jamaica + Haiti Terry E. Boddie, Saint Kitts and Nevis
Things to Be Remembered For
Resources and Organizations of Note Endnotes Acknowledgments About the Makers
Introduction Themes and Materials Collective Dedications
On Ancestors and Future Generations: Sights/Sites of Divinity Tiana Webb Evans
The Makers Alison Croney Moses, Guyana Allana Clarke, Trinidad and Tobago Alvaro Barrington, Grenada + Haiti Andrea Chung, Jamaica + Trinidad and Tobago Ania Freer, Jamaica Anina Major, The Bahamas April Bey, The Bahamas Arthur J. Francietta, Martinique Basil Watson, Jamaica Billy Gerard Frank, Grenada BOA, Antigua and Barbuda
Material Practices of Caribbean Artists Throughout the Diaspora Christine Checinska
Closing the Gap: A View of Contemporary Caribbean Art and Design Dr. Marsha Pearce in conversation with Malene Barnett
Camille Chedda, Jamaica Charmaine Watkiss, Jamaica Chelsea McMaster, Antigua and Barbuda Cornelius Tulloch, Jamaica Cosmo Whyte, Jamaica Dana Marie Baugh, Jamaica David Gumbs, Saint Martin Davin K. Ebanks, Cayman Islands Deborah Jack, Saint Martin Dianne Smith, Belize Donald Baugh, Jamaica Fabiola Jean-Louis, Haiti Firelei Báez, Dominican Republic + Haiti
Words to Live By
Collecting Contemporary Caribbean Art and Design Dr. Kenneth Montague
Curating Contemporary Black Caribbean Art and Design Michelle Joan Wilkinson
George McCalman, Grenada Giana De Dier, Saint Lucia+ Barbados Ibiyanε: Elodie Dérond and Tania Doumbe Fines, Martinique Ishka Designs: Anishka Clarke and Niya Bascom, Jamaica + Guyana Jasmine Thomas-Girvan, Jamaica Johanna Bramble, Dominica Joiri Minaya, Dominican Republic Juana Valdes, Cuba Katrina A. Coombs, Jamaica Kelly Walters, Jamaica Kraig Yearwood, Barbados
Places of Inspiration
Ways to Rest and Rejuvenate
La Vaughn Belle, Saint Croix Lavar Munroe, The Bahamas Leonardo Perez, Haiti + Dominican Republic Leyden Lewis, Trinidad and Tobago Lisandro Suriel, Saint Martin M. Florine Démosthène, Haiti Malene Djenaba Barnett, Jamaica + Saint Vincent and the Grenadines Mark M. Fleuridor, Haiti Marlon A. Darbeau, Trinidad and Tobago Morel Doucet, Haiti Nadia Liz Estela, Dominican Republic Nina Cooke John, Jamaica Nyugen E. Smith, Trinidad and Tobago Ouigi Theodore, Haiti
Ancestors Althea McNish Christine Checinska Ronald Moody Sandy Jones
Paul Anthony Smith, Jamaica Pauline Marcelle-Johann, Dominica Renee V. Cox, Jamaica Robert A. G. Young, Trinidad and Tobago Roberto Lugo, Puerto Rico Sandra Brewster, Guyana Sharon Norwood, Jamaica Shenequa Brooks, Saint Kitts and Nevis + Saint Martin Simon Benjamin, Jamaica Soca Architecture: Tura Cousins Wilson and Shane Laptiste, Jamaica + Guyana & Grenada Sonya Clark, Jamaica + Barbados Storm Saulter, Jamaica Studio 397: Samantha Rafilia Josaphat and Luis Medina-Carreto, Jamaica + Haiti Terry E. Boddie, Saint Kitts and Nevis
Things to Be Remembered For
Resources and Organizations of Note Endnotes Acknowledgments About the Makers
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