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Creating Culture, Performing Community explores the ways in which the people of Santo Santiago de Angahuan, a P'urhépecha community in the state of Michoacán, México, create and curate their cultural practices and how, by doing so, they perform what it means to be an active member of the P'urhépecha community. Through a deep ethnographic account of ritual practices, author Mintzi Auanda Martínez-Rivera focuses on the tembuchakua, or wedding rituals, analyzing their creation, performance, and transformation within the P'urhépecha community. By proposing alternative approaches to understanding…mehr
Creating Culture, Performing Community explores the ways in which the people of Santo Santiago de Angahuan, a P'urhépecha community in the state of Michoacán, México, create and curate their cultural practices and how, by doing so, they perform what it means to be an active member of the P'urhépecha community. Through a deep ethnographic account of ritual practices, author Mintzi Auanda Martínez-Rivera focuses on the tembuchakua, or wedding rituals, analyzing their creation, performance, and transformation within the P'urhépecha community. By proposing alternative approaches to understanding indigeneity, Martínez-Rivera showcases how people carefully transform their cultural practices and rearticulate and perform their identities.
Thus Creating Culture, Performing Community has three main aims: to analyze how people create their own culture; to showcase how cultural practices are performed to reflect particular ideas of what it means to be a member of a community; and to move beyond limited understandings of indigenous identity and cultural practices.
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Autorenporträt
Mintzi Auanda Martínez-Rivera is Assistant Professor of English (Folklore) and Latinx Studies at the Ohio State University. She is editor (with Solimar Otero) of Theorizing Folklore from the Margins: Critical and Ethical Approaches (IUP, 2021).
Inhaltsangabe
Acknowledgments A Note on Language, Style, and Images Introduction: Getting Married in Angahuan 1. Under the Volcano's Shadow: Angahuan and the P'urhépecha Area 2. Carrying the Uarhota: Courtship Rituals and Youth Cultures in Angahuan 3. Te Toca: Eloping vs. Asking for Marriage 4. Creating Culture: Organizing a Tembuchakua Interlude: Joel and Daniela's P'urhépecha Wedding (October 2009) 5. Performing Community: Following the Confetti Trail 6. Transforming the Tembuchakua Conclusion: Getting Married in Angahuan, revisited Bibliography Index
Acknowledgments A Note on Language, Style, and Images Introduction: Getting Married in Angahuan 1. Under the Volcano's Shadow: Angahuan and the P'urhépecha Area 2. Carrying the Uarhota: Courtship Rituals and Youth Cultures in Angahuan 3. Te Toca: Eloping vs. Asking for Marriage 4. Creating Culture: Organizing a Tembuchakua Interlude: Joel and Daniela's P'urhépecha Wedding (October 2009) 5. Performing Community: Following the Confetti Trail 6. Transforming the Tembuchakua Conclusion: Getting Married in Angahuan, revisited Bibliography Index
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