Emily Merson

Creative Presence (eBook, ePUB)

Settler Colonialism, Indigenous Self-Determination and Decolonial Contemporary Artwork

• Format: ePub

Produktbeschreibung

Historically, artwork has played a powerful role in shaping settler colonial subjectivity and the political imagination of Westphalian sovereignty through the canonization of particular visual artworks, aesthetic theories, and art institutions' methods of display. Creative Presence contributes a transnational feminist intersectional analysis of visual and performance artwork by Indigenous contemporary artists who directly engage with colonialism and decolonization. This book makes the case that decolonial aesthetics is a form of labour and knowledge production that calls attention to the foundational violence of settler colonialism in the formation of the world order of sovereign states. Creative Presence analyzes how artists' purposeful selection of materials, media forms, and place-making in the exhibitions and performances of their work reveals the limits of conventional International Relations theories, methods, and debates on sovereignty and participates in Indigenous reclamations of lands and waterways in world politics. Brian Jungen's sculpture series Prototypes for New Understanding and Rebecca Belmore's filmed performances Vigil and Fountain exhibit how colonial power has been imagined, visualized and institutionalized historically and in contemporary settler visual culture. These contemporary visual and performance artworks by Indigenous artists that name the political violence of settler colonial claims to exclusive territorial sovereignty introduce possibilities for decolonizing audiences' sensibilities and political imagination of lands and waterways.

Produktdetails

• Verlag: Bloomsbury eBooks US
• Seitenzahl: 230
• Erscheinungstermin: 11. September 2020
• Englisch
• ISBN-13: 9781785523229
• Artikelnr.: 60092915

Autorenporträt

Emily Merson is an Assistant Professor in the Department of Politics and International Studies at the University of Regina (2019 - 2020).

Inhaltsangabe

Chapter 1. Introduction: Settler Colonial Claims to Sovereignty and
Decolonial Contemporary Artwork
Chapter 2. Creative Presence: Tracing the Coloniality of Global Power and
Decolonial World Politics Through the Materials, Media Forms and
Place-Making of Contemporary Artwork
Chapter 3. Unsettling International Relations: Decolonizing International
Relations Theories of Global Power and Settler Colonial Claims to Exclusive
Sovereignty
Chapter 4. Decolonizing Settler Colonial Art Institutions: Brian Jungen's
Visual Exhibition Methods of Prototypes for New Understanding
Chapter 5. Materializing Indigenous Self-Determination: Brian Jungen's
Materials and Sculptural Methods in Prototypes for New Understanding
Chapter 6. The Scenario of Naming Power: Remembering Traumas of Canadian
Settler Colonialism in Rebecca Belmore's filmed performance installation
The Named and the Unnamed
Chapter 7. International Art World and Transnational Artwork: Creative
Presence in Rebecca Belmore's Fountain at the Venice Bienna