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- Examines the human, social, cultural and technical aspects of creation of popular music using a confluence approach to creativity - Navigates major theoretical concepts of creativity and how they connect to the activities occurring outside and inside the recording studio - Challenges the myths of creativity, combining a number of perspectives from sociology and psychology.

Produktbeschreibung
- Examines the human, social, cultural and technical aspects of creation of popular music using a confluence approach to creativity
- Navigates major theoretical concepts of creativity and how they connect
to the activities occurring outside and inside the recording studio
- Challenges the myths of creativity, combining a number of perspectives from sociology and psychology.

Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Paul Thompson is a professional recording engineer who has worked in the music industry for over 10 years. He is currently a Reader at Leeds Beckett University and his research is centred on record production, audio education, learning practices, creativity and cultural production in popular music.