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A comedy drama set in the seedily glamorous world of 17th-century London theatre.
John Shank is an actor, talent-scout and trainer of boy players in the 1630s, when women's roles are still played by precocious boys. Up to his eyes in debt, Shank's only hope of escaping destitution is an unpromising 14-year-old would-be, Stephen Hammerton. Can he train up Stephen to be the new star of the London stage?
'Delightful, light-minded comedy of manners' - Evening Standard

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A comedy drama set in the seedily glamorous world of 17th-century London theatre.

John Shank is an actor, talent-scout and trainer of boy players in the 1630s, when women's roles are still played by precocious boys. Up to his eyes in debt, Shank's only hope of escaping destitution is an unpromising 14-year-old would-be, Stephen Hammerton. Can he train up Stephen to be the new star of the London stage?

'Delightful, light-minded comedy of manners' - Evening Standard


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Autorenporträt
Nicholas Wright is a leading British playwright. His plays include: 8 Hotels (Minerva Theatre, Chichester, 2019); an adaptation of Patrick Hamilton's novel The Slaves of Solitude (Hampstead Theatre, 2017); an adaptation of Pat Barker's novel Regeneration (Royal & Derngate, Northampton, 2014); Travelling Light (National Theatre, 2012); The Last of the Duchess (Hampstead Theatre, 2011); Rattigan's Nijinsky (Chichester Festival Theatre, 2011); The Reporter (National Theatre, 2007); a version of Emile Zola's Therese Raquin (National Theatre, 2006); an adaptation of Philip Pullman's His Dark Materials (National Theatre, 2003-4); Vincent In Brixton (National Theatre, 2002; winner of the Olivier Award for Best New Play); a version of Luigi Pirandello's Naked (Almeida Theatre, 1998); and Mrs Klein (National Theatre & West End, 1988). His writing about the theatre includes Changing Stages: A View of British Theatre in the Twentieth Century, co-written with Richard Eyre.