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The decade since the publication of Jean-Michel Rabaté's controversial manifesto The Future of Theory saw important changes in the field. The demise of most of the visible French or German philosophers, who had produced texts that would trigger new debates, then to be processed by Theory, has led to drastic revisions and starker assessments. Globalization has been the most obvious factor to modify the selection of texts studied. During the twentieth century, Theory incorporated poetics, rhetorics, aesthetics and linguistics, while also opening itself to continental philosophy. What has changed…mehr
The decade since the publication of Jean-Michel Rabaté's controversial manifesto The Future of Theory saw important changes in the field. The demise of most of the visible French or German philosophers, who had produced texts that would trigger new debates, then to be processed by Theory, has led to drastic revisions and starker assessments. Globalization has been the most obvious factor to modify the selection of texts studied. During the twentieth century, Theory incorporated poetics, rhetorics, aesthetics and linguistics, while also opening itself to continental philosophy. What has changed today? The knowledge that we live in a de-centered world has destabilized the primacy granted to a purely Western canon. Moreover, much of contemporary theory remains highly allusive and this is often baffling for students. Theory keeps recycling itself, producing authentic returns of basic theses, terms and concepts. Canonical modern theorists often return to classical texts, as those of Plato, Kant, Hegel, Nietzsche. And now we want to know: what is new? Crimes of the Future explores the past, present and potential future of Theory.
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Autorenporträt
Jean-Michel Rabaté is one of the world's foremost literary theorists. He is Professor of English and Comparative Literature at the University of Pennsylvania, USA. Rabaté has authored or edited more than thirty books on modernism, psychoanalysis, contemporary art, philosophy, and writers like Beckett, Pound, and Joyce. Recent books include Crimes of the Future (Bloomsbury, 2014), The Cambridge Introduction to Psychoanalysis and Literature (2014), The Pathos of Distance (Bloomsbury, 2016), and Rust (Bloomsbury, 2018). He is one of the founders and curators of Slought Foundation in Philadelphia (slought.org) and the Managing Editor of the Journal of Modern Literature. Since 2008, he has been a Fellow of the American Academy of Arts and Sciences.
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