J. Knowles

Critica Musica (eBook, ePUB)

Essays in Honour of Paul Brainard

• Format: ePub

Produktbeschreibung

This is Volume 18 of eighteen in a book series on Musicology. Originally published in 1996, this is a collection of essays in honor or Paul Brainard. Critica Musica-thinking critically about music-is at the heart of Paul Brainard's long career, and of his legacy to his students, colleagues, and friends. As a scholar, performer, and teacher, Professor Brainard has embodied a thorough, meticulous, and reasoned approach to music and scholarship that has set a high standard for all who have come in contact with him.

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Produktdetails

• Verlag: Taylor & Francis eBooks
• Seitenzahl: 504
• Erscheinungstermin: 23. März 2016
• Englisch
• ISBN-13: 9781134384259
• Artikelnr.: 44870801

Autorenporträt

J. Knowles

Inhaltsangabe

Principal Publications of Paul Brainard; Some Considerations of the Sources
of Cristobal Galan's Music; The Speaking Body: Gaspero Angiolini's
Rhetorique Muette and the Ballet d'Action in the Eighteenth Century;
Costanzo Festa's lnviolata, integra et casta es Maria: a Double Homage
Motet; Bach, Theology, and Harmony: A New Look at the Arias; The Symphony
and the Artist's Creed: Camille Saint-Saens and His Third Symphony; The
Letter as Convention in Seventeenth-Century Venetian Opera; Poetic and
Musical Forms in the Laude of Innocenti us Dammonis; Melody and Motive in
Schenker's Earliest Writings; Twins, Cousins, and Heirs: Relationships
among Editions of Music Printed in Sixteenth-Century Venice; Rhetoric,
Rhythm, and Harmony as Keys to Schlitz's Saul, Saul, was verfolgst du mich?
Bach's tempo ordinaria: A Plaine and Easie Introduction to the System;
Amorous Dialogues: Poetic Topos and Polyphonic Texture in Some Polytextual
Songs of the Late Middle Ages; The Violins in Bach's St. John Passion;
French Opera in Transition: Silvie ( 1765) by Trial and Berton; Kindling
the Compositional Fire: Haydn's Keyboard Phantasiren; When Sources Seem to
Fail: The Clarinet Parts in Mozart's K. 581 and K. 622; From Madrigal to
Toccata: Frescobaldi and the Seconda Prattica; Beethoven and Shakespeare;
Tenors Lost and Found: The Reconstruction of Motets in Two Medieval
Chansonniers