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Cue & Cut is a 'practical approach to working in television studios' for anyone who might want to work in that medium. It's full of useful information about kit, and how you would use it to create multi-camera content. Written by a multi-camera producer-director with years of drama and teaching experience, it presents both a way of handling studios and a source of information about how things have changed from the days of monochrome to HD tapeless modes - with some thoughts on 3D HDTV The book is firmly based in first-hand teaching experience and experience of producing, direction, floor…mehr
Cue & Cut is a 'practical approach to working in television studios' for anyone who might want to work in that medium. It's full of useful information about kit, and how you would use it to create multi-camera content. Written by a multi-camera producer-director with years of drama and teaching experience, it presents both a way of handling studios and a source of information about how things have changed from the days of monochrome to HD tapeless modes - with some thoughts on 3D HDTV
The book is firmly based in first-hand teaching experience and experience of producing, direction, floor managing (and so on) and on working with top flight Actors, Writers, Musicians, Designers of all disciplines and Sound and Camera crews, both at the BBC and in ITV.
The book will certainly cover multi-camera aspects of Undergraduate, HND and B.Tech courses and should be useful to those on short courses, whether practical or post-graduate.
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Autorenporträt
Roger Singleton-Turner
Inhaltsangabe
LIST OF ILLUSTRATIONS CONTRIBUTORS PREFACE ACKNOWLEDGMENTS INTRODUCTION PART I: SAFETY & GOOD PRACTICE PART II: INTRODUCTION TO THE STUDIO 1 BASICS 2 WORKING WITH CAMERAS 3 LENSES AND SHOOTING CONVENTIONS 4 THE STUDIO PRODUCTION TEAM 5 TECHNICAL JOBS IN THE STUDIO 6 DESIGN AND SETS 7 THE JOB OF SCRIPT SUPERVISOR AND MULTI CAMERA PAPERWORK 8 CAMERA SCRIPTS, CAMERA CARDS ETC. AND CREATING THEM IN MS WORD (with a note on Autocue) 9 IN THE STUDIO COMMUNICATION 10 LIGHTING FOR VIDEO CAMERAS AN INTRODUCTION 11 MICROPHONES & SOUND PART III: CONTENT 12 INTERVIEWS, DISCUSSION AND CHAT 13 DEMONSTRATIONS AND MOVEMENT 14 HAVING IDEAS PART IV: APPLYING THE PRINCIPLES INTRODUCTION 15 GETTING IT ALL TOGETHER 16 DRAMA 17 MUSIC 18 SHOOTING ACTION AFTERWORD APPENDIX I: ASPECT RATIOS HISTORY OTHER FORMATS SUMMARY APPENDIX II: CONTINUITY A SUMMARY VIDEOGRAPHY BIBLIOGRAPHY AND REFERENCES SUGGESTED FURTHER READING INDEX
LIST OF ILLUSTRATIONS CONTRIBUTORS PREFACE ACKNOWLEDGMENTS INTRODUCTION PART I: SAFETY & GOOD PRACTICE PART II: INTRODUCTION TO THE STUDIO 1 BASICS 2 WORKING WITH CAMERAS 3 LENSES AND SHOOTING CONVENTIONS 4 THE STUDIO PRODUCTION TEAM 5 TECHNICAL JOBS IN THE STUDIO 6 DESIGN AND SETS 7 THE JOB OF SCRIPT SUPERVISOR AND MULTI CAMERA PAPERWORK 8 CAMERA SCRIPTS, CAMERA CARDS ETC. AND CREATING THEM IN MS WORD (with a note on Autocue) 9 IN THE STUDIO COMMUNICATION 10 LIGHTING FOR VIDEO CAMERAS AN INTRODUCTION 11 MICROPHONES & SOUND PART III: CONTENT 12 INTERVIEWS, DISCUSSION AND CHAT 13 DEMONSTRATIONS AND MOVEMENT 14 HAVING IDEAS PART IV: APPLYING THE PRINCIPLES INTRODUCTION 15 GETTING IT ALL TOGETHER 16 DRAMA 17 MUSIC 18 SHOOTING ACTION AFTERWORD APPENDIX I: ASPECT RATIOS HISTORY OTHER FORMATS SUMMARY APPENDIX II: CONTINUITY A SUMMARY VIDEOGRAPHY BIBLIOGRAPHY AND REFERENCES SUGGESTED FURTHER READING INDEX
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