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  • Format: PDF

Filled with timeless principles and thought-provoking examples from a variety of international films, the third edition of Karen Pearlman's 'Cutting Rhythms' offers an in-depth study of the film editor's rhythmic creativity and expertise, the processes and tools editors use to shape rhythms, and how rhythm works to engage audiences in film.

Produktbeschreibung
Filled with timeless principles and thought-provoking examples from a variety of international films, the third edition of Karen Pearlman's 'Cutting Rhythms' offers an in-depth study of the film editor's rhythmic creativity and expertise, the processes and tools editors use to shape rhythms, and how rhythm works to engage audiences in film.


Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, B, BG, CY, CZ, D, DK, EW, E, FIN, F, GR, HR, H, IRL, I, LT, L, LR, M, NL, PL, P, R, S, SLO, SK ausgeliefert werden.

Autorenporträt
Karen Pearlman, ASE, is a director, with Richard James Allen, of the multi-award-winning Physical TV Company where she directs, produces and edits drama, documentary, and dance film. Currently an Associate Professor in Screen Practice and Production at Macquarie University, Sydney, Australia, Karen is an accredited member and a former President of the Australian Screen Editors Guild. She is a five-time nominee and two-time winner for Best Editing at the Australian Screen Editors Guild Awards.