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This work, entitled The Cyclic Repulsive Multiverse Model (CRM) , is not just a theoretical formulation. It is the enunciation of a system of reality. It is a carefully designed conceptual framework to challenge the current limits of cosmology by proposing an alternative reinterpretation of the genesis, evolution, and transition of universes-not as isolated occurrences, but as cyclical expressions of a gravitational mechanism not yet fully understood.
The RCM does not emerge as an addition to already established theories, but as an epistemological shift. It inaugurates a new paradigmatic
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Produktbeschreibung
This work, entitled The Cyclic Repulsive Multiverse Model (CRM) , is not just a theoretical formulation. It is the enunciation of a system of reality. It is a carefully designed conceptual framework to challenge the current limits of cosmology by proposing an alternative reinterpretation of the genesis, evolution, and transition of universes-not as isolated occurrences, but as cyclical expressions of a gravitational mechanism not yet fully understood.

The RCM does not emerge as an addition to already established theories, but as an epistemological shift. It inaugurates a new paradigmatic horizon where the forces governing the cosmos are not limited to traditional attractive gravity, but coexist, in dynamic equilibrium, with a repulsive gravity of a radiant nature. This force, until now neglected or poorly understood, is here elevated to the status of ontogenic engine of the cosmos, capable of underpinning not only the acceleration of the expansion of the universe, but also the interdimensional mechanisms that govern the gestation and ejection of entire realities.

At the heart of this model is the proposition that the observable universe did not emerge ex nihilo , nor as an arbitrary product of a quantum vacuum, but was expelled from an originating event of supra-universal scale: the Primordial Repulsive Explosion (PRE) . This is not conceived as a destructive explosion, but as an act of cosmic overflow-a matrixial gesture, in which a predecessor universe collapses not in the silence of extinction, but in the potency of creation, giving rise to a Daughter Universe through the repulsive ejection of inverted gravitational energy.

The structure of the RCM is based on entities such as the Super Cosmic White Hole , conceived not as a metaphor, but as a physical-conceptual structure of inter-universal transition. This entity represents the matrix through which the new cosmos is gestated and projected, assuming the role that the Big Bang, until then, occupied in an insufficiently explained way. In the RCM, the Big Bang is not the origin, but the consequence - not the beginning of everything, but the continuity of a larger, cyclical, eternal flow.

Divided into 10 parts and structured into 33 chapters, this work follows a rigorous logical-cosmological progression, starting with the foundations of classical physics - Newton, Einstein - and advancing through contemporary discussions on dark matter, dark energy, primordial white holes, emergent gravity (Verlinde), multiverse (Hawking), until culminating in the systematic exposition of inverse gravity, a central principle proposed by Antonio Carlos Pinto.

Each section of this treatise sustains an internal interdependence, articulating physical ideas, theoretical conjectures, observational consequences, and philosophical implications. RCM theory is rooted in sources of scientific legitimacy, but its vocation is transgressive: it rejects methodological dogmas and the limits imposed on rational imagination. Rather than simply solving equations, RCM seeks to reformulate questions.

This is not a book to be read only with the eyes of a technician or an academic. It is a book to be read with the spirit of those who dare to think about the invisible, to name what does not yet have a language, and to model what, until now, was only cosmic intuition. It is addressed to researchers and independent scholars, philosophers of science, and to all who recognize that genuine knowledge does not flourish where there is conformity, but where there is restlessness.

What is offered here is not a "theory of everything," but rather a model of cosmological freedom - a system where the universe is not absolute, but one among others; where time is a curve between gravitational pulsations; where being, far from being confined to a single world, propagates itself across multiple planes, realities, and rhythms.


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Autorenporträt
Born in 1983 in the grand Rocky Mountains of Maranguape, Ceará, Brazil, Antonio Carlos Pinto is a name that stands out in the literary world of the United Kingdom, with experiences in Ireland, Ukraine, and Germany.

With roots in the traditional Pinto family of Portugal and indigenous descent, Antonio began his literary journey on the banks of the Maranguape River, learning stories about the local fauna from his grandfather at an early age.

Throughout his journey, Antonio faced the loss of family members and his beloved wife. Amid the pain, his writing fell silent, but in 2023, he rose like a phoenix, releasing new works, novels, and poetry.

Trained in painting, Antonio experimented with various colors in his life, but his greatest passion, and the most vibrant color, was writing stories to share with the world.

Self-taught, he studied various literary styles such as Gothic, Romantic, Modernist, and Post-Modernist until he reached Neo-Romanticism, creating his own style, "Shakesperian."

Inspired by names like Emily Brontë, Nora Roberts, W. Somerset Maugham, Stephenie Meyer, and William Shakespeare, he forged a unique voice, blending science fiction, fantasy, romance, and Amish poetry.

In his leisure moments, he enjoys both a good contemporary romance and an engaging medieval tale. Antonio Carlos Pinto is an author whose words transcend borders, touching hearts around the world.