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Autorenporträt
Verónica Rodríguez is Visiting Lecturer at Canterbury Christ Church University and Royal Holloway, University of London, UK. She is a member of 'British Theatre in the Twenty-First Century: Crisis, Affect, Community', a four-year research project funded by the Spanish Ministry of Economy and Competitiveness and by FEDER (European Union) (FFI2016-75443).
Inhaltsangabe
1. Introduction: A Shamanic Semionaut.- 2. Holed Theatre as Response to Globalization.- 3. From Ethics to the Politics of Aesthethics.- 4. Affect and the Holed Spectator: Ecology of Transfers.- 5. Europe: Globalization's Inferiors.- 6. The Architect: Blowing Up Architectures of Power.- 7. The Cosmonaut's Last Message to the Woman He Once Loved in the Former Soviet Union: "All this Fucking Beautiful Stuff".- 8. San Diego: Stitching up the Globe.- 9. The American Pilot: A Precarious Restoration to 'the Real'.- 10. Damascus: Trouma.- 11. Fragile: Sharing Doing and Spatial Transcorporeality.- 12. The Events: Confounding Spacecraft - Here.- 13. Conclusion: World-Forming Theatre.
1. Introduction: A Shamanic Semionaut.- 2. Holed Theatre as Response to Globalization.- 3. From Ethics to the Politics of Aesthethics.- 4. Affect and the Holed Spectator: Ecology of Transfers.- 5. Europe: Globalization's Inferiors.- 6. The Architect: Blowing Up Architectures of Power.- 7. The Cosmonaut's Last Message to the Woman He Once Loved in the Former Soviet Union: "All this Fucking Beautiful Stuff".- 8. San Diego: Stitching up the Globe.- 9. The American Pilot: A Precarious Restoration to 'the Real'.- 10. Damascus: Trouma.- 11. Fragile: Sharing Doing and Spatial Transcorporeality.- 12. The Events: Confounding Spacecraft - Here.- 13. Conclusion: World-Forming Theatre.
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