Theodore Hughes crosses borders to demonstrate how stories of dying and death-what he calls the thanatographic imagination-in North Korea, the United States, and South Korea energize ideas about history, the present, and the future. Death Without End shows how literary texts, films, nonfiction, and other forms of cultural production from the late 1940s to the 1960s give rise to revolutionary belongings, gendered selfhoods, and anticommunist cosmopolitanisms as they address the incommensurate loss of life, violence, destruction, and suffering of the war. Hughes also traces how the Korean War entered US popular culture in unexpected but enduring ways. Bridging Korean studies, American studies, and the cultural turn in international relations, this book offers new ways to understand the unending Korean War and the global implications of its logic of limitlessness.
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