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Deconstruction*Derrida contests the notion that what Jacques Derrida does can be turned into a theory for literary interpretation. It also questions the idea that there is a critical methodology called deconstruction which can be applied to literary texts in a programmatic fashion. In this introductory study to the work of Jacques Derrida, Julian Wolfreys introduces the reader to a range of Derrida's interests and concerns, while offering readings, informed by Derrida's thought, of canonical and less well-known literary works.
Deconstruction*Derrida contests the notion that what Jacques Derrida does can be turned into a theory for literary interpretation. It also questions the idea that there is a critical methodology called deconstruction which can be applied to literary texts in a programmatic fashion. In this introductory study to the work of Jacques Derrida, Julian Wolfreys introduces the reader to a range of Derrida's interests and concerns, while offering readings, informed by Derrida's thought, of canonical and less well-known literary works.
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Autorenporträt
JULIAN WOLFREYS is Associate Professor in the department of English at the University of Florida, UK.
Inhaltsangabe
Series Preface.- Abbreviations.- Acknowledgements.- Introduction.- PART 1: THE MAKE-BELIEVE OF A BEGINNING.- Another Introduction/Entamer.- Preparatory to Anything Else: Derrida's Interests.- PART 2: PREPARATORY TO ANYTHING ELSE: SINGULAR EXAMPLES OR, IDENTITY, SPECTRALITY, UNDECIDABILITY.- Writing (of) Identities: Facing up to Derrida or, the example of Paul Valery.- The Hauntological Example: the City as the Haunt of Writing in the Texts of Iain Sinclair.- Heart? of Darkness? Reading in the Dark with J.Hillis Miller and Joseph Conrad.- PART 3: SOME SUPPLEMENTARY AFTERWORD.- Afterword(s): Contrary to the 'Logic of the Heading'.- Annotated Bibliography.- Bibliography.- Index.
Series Preface.- Abbreviations.- Acknowledgements.- Introduction.- PART 1: THE MAKE-BELIEVE OF A BEGINNING.- Another Introduction/Entamer.- Preparatory to Anything Else: Derrida's Interests.- PART 2: PREPARATORY TO ANYTHING ELSE: SINGULAR EXAMPLES OR, IDENTITY, SPECTRALITY, UNDECIDABILITY.- Writing (of) Identities: Facing up to Derrida or, the example of Paul Valery.- The Hauntological Example: the City as the Haunt of Writing in the Texts of Iain Sinclair.- Heart? of Darkness? Reading in the Dark with J.Hillis Miller and Joseph Conrad.- PART 3: SOME SUPPLEMENTARY AFTERWORD.- Afterword(s): Contrary to the 'Logic of the Heading'.- Annotated Bibliography.- Bibliography.- Index.
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