Concretely, the book presents a critical examination of three Sanskrit doxographies: the Madhyamakah¿dayakarika of the Buddhist Bhaviveka, the ¿ädarsanasamuccaya of the Jain Haribhadra, and the Sarvasiddhantasägraha attributed to the Advaitin Säkara, focusing on each of their respective presentation of the Mimäsa view.
It is the first time that the genre of doxography is considered beyond its literary format to ponder its performative dimension, as a spiritual exercise. Theoretically broad, the book reaches out to academics in religious studies, Indian philosophy, Indology, and classical studies.
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