The literature on Dance is a drop in the ocean compared to that on Proust. Yet in construction of plot and depiction of character, Anderson ranks Powell above him. How much do particular advantages of this kind matter, and why is Powell an odd man out in English letters? At once so similar and dissimilar, the intricate retrospectives of the two novelists on bohemia and Society, upbringing and mortality, relationships and personality, invite interrelated judgements.
The closing chapters of Different Speeds, Same Furies reach beyond their handlings of time to chart the historical novel from Waverley to Underworld, and the breakthrough in epistolatory fiction of Montesquieu's Persian Letters, held together by what its author described as 'a secret chain which remains, as it were, invisible'.
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