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Affected by technology and globalization, the Nordic region is experiencing large shifts in its socio-political conditions and international outlook today. As digital dynamics affect life worlds, contemporary artists are making new inquiries in response to the changing Nordic context. As a result of these ever-evolving circumstances, conditions and motivations for making art change as well. As technology and digital culture become more deeply embedded in the contemporary art scene, there is a renewed need to examine the role of art in society and everyday life, and to consider how the digital…mehr
Affected by technology and globalization, the Nordic region is experiencing large shifts in its socio-political conditions and international outlook today. As digital dynamics affect life worlds, contemporary artists are making new inquiries in response to the changing Nordic context. As a result of these ever-evolving circumstances, conditions and motivations for making art change as well. As technology and digital culture become more deeply embedded in the contemporary art scene, there is a renewed need to examine the role of art in society and everyday life, and to consider how the digital inspires artists to evolve and tackle socio-political realities, locally and in the wider world. The first section of Digital Dynamics in Nordic Contemporary Art features a collection of testimonials from 78 artists connected to Nordic art who employ concepts and tools relating to the digital in their practice. These testimonials form the basis of essays in the book's second section, penned by leading scholars and curators of Nordic art. They investigate the digital influences on contemporary art, with particular attention paid to the national and international Nordic socio-political context.
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Autorenporträt
Tanya Toft Ag, Ph.D., is a curator, researcher, writer, and lecturer on urban media aesthetic phenomena and media art's engagement with societal and urban change. She gained her doctoral degree from Copenhagen University with visiting scholarships at Columbia University and Konstfack (CuratorLab), and MA degrees from The New School and Copenhagen University. Her curatorial practice evolves with media art and media architecture in urban environments, and she has held keynotes and presented her critical perspectives on art and urban media worldwide. She is editor of Digital Dynamics in Nordic Contemporary Art (Intellect, 2019) and co-editor of What Urban Media Art Can Do: Why, When, Where, and How? (av edition, 2016). In 2017 she co-founded the globally networked Urban Media Art Academy. In 2018-2020 her research is situated at School of Creative Media, City University of Hong Kong.
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