Exploring the fundamental change in distribution, Spilker investigates paradoxes such as:
- The criminalization of file-sharing leading not to conflicts, but to increased collaboration between youths and their parents;
- Why the circulation of cultural content, extremely damaging for its producers, has instead been advantageous for the manufacturers of recording equipment;
- Why more artists are recording in professional sound studios, despite the proliferation of good quality equipment for home recording;
- Why mass media, hit by many of the same challenges as the music industry, has been so critical of the way it has tackled these challenges.
A rare and timely volume looking at the changes induced by the digitalization of music distribution, Digital Music Distribution will appeal to undergraduate students and policy makers interested in fields such as Media Studies, Digital Media, Music Business, Sociology and Cultural Studies.
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