Dimensions of Curation (eBook, ePUB)

Considering Competing Values for Intentional Exhibition Practices
Redaktion: Love, Ann Rowson; Villeneuve, Pat

• Format: ePub

Produktbeschreibung

Exhibition making requires great effort and resources. Are your exhibitions attracting audiences and drawing them back to your museum? The Dimensions of Curation Competing Values Exhibition Model uses three axes to help you to make sense of exhibitions your museum has curated and think intentionally about future curatorial decisions. Whether implicit or intentional, decisions made about interpretive focus, curatorial power, and curatorial intent indelibly shape the resulting exhibition and determine who will be best served or disenfranchised by it.
This book:
Introduces competing values and organizational models that address them.Explains the three axes comprising the model and the eight types of exhibitions that result from various combinations of positions on the axes.Looks in depth at case studies of the eight different exhibition types.Provides candid observations about changing curatorial practices.Offers tools to help museums implement the model.
Two sections of the book feature practice-based examples from museums in the US and internationally. The third section of the book concentrates on practical tools and considerations for the future of exhibition curation.

Produktdetails

• Verlag: Bloomsbury eBooks US
• Seitenzahl: 272
• Erscheinungstermin: 17. Juli 2023
• Englisch
• ISBN-13: 9781538167359
• Artikelnr.: 67973814

Autorenporträt

Edited by Ann Rowson Love and Pat Villeneuve

Inhaltsangabe

Preface: Ann Rowson Love and Pat Villeneuve
Acknowledgments
Part I
Chapter 1: The Dimensions of Curation Competing Values Model, Pat
Villeneuve and Ann Rowson Love
Part II: Two Dimensions: Traditional, Exclusive, Sympathetic, and Inclusive
Quadrants
Traditional(Object (x) + Lone Creative (y) = Traditional)
Chapter 2: Queering the Museum: From a Traditional Model Towards a More
Inclusive Practice Kara Fedje
Chapter 3: Using Traditional Practice to Review the Chinese National Art
Exhibition Zida Wang
Exclusive(Object (x) + Collaborative (y) = Exclusive)
Chapter 4: Iterations of Curating with Matthew Ritchie: Working
Collaboratively During the COVID-19 pandemic Stefanie Dlugosz-Acton
Chapter 5: The Artist is No Longer Present: Reconsidering Cross-Border
Exhibition Curating in the Post Pandemic Era Ting Zhang
Sympathetic(Audience (x) + Lone Creative (y) = Sympathetic)
Chapter 6: A Shared Body - Re-envisioning Curatorial Collaboration in an
Academic Art Museum Annie Booth and Meredith Lynn,
Chapter 7:Ally is a Verb: Adopting a Sympathetic Curatorial Practice to
Build Advocacy and Community Within a Teaching Museum Alexia Lobaina
Inclusive (Audience (x) + Collaborative (y) = Inclusive)
Chapter 8: Art Connects Jennifer Jankauskas and Laura Ashley N. Bocquin
,Chapter 9: Responsive, Relational, and Disruptive: A Case Study in
Community-Based CurationMarianna Pegno, Christine Brindza, Patricia Lannes,
and Cecilia Garibay
Part III: Three Dimensions: Exhibitions that ___
Disseminate (Object (x) + Lone Creative (y) + Democratization of Culture
(z) = Disseminate)
Chapter 10: Traditional Practice that Disseminates: Native Brazil/Alien
BrazilPeter Aerts
Chapter 11: Something's Off: Reconsidering Traditional Practice Michelle
Sunset
Discern(Object (x) + Lone Creative (y) + Cultural Democracy (z) = Discern)
Chapter 12: Discerning the Cryosphere: Humans and Climate in Art from the
Frances Lehman Loeb Art Center, Vassar College Elizabeth Nogrady
Chapter 13: Discerning with a Good Voice: Hówate at The Heritage Center
Ashley Pourier and Audrey Jacobs
Enrich(Object (x) + Collaborative (y) + Democratization of Culture (z) =
Enrich)
Chapter 14: Not Just Dissemination, an Enriched Experience: Ming Dynasty
Costume Exhibition Xiaonan Jiang and Xuejing Dai
Chapter 15: SKIN, a Multisensory Art Exhibition for Children Aged 8+ and
Their Families Stefanie Metsemaker and Gerd Dierckx
Amplify(Object (x) + Collaborative (y) = Cultural Democracy (z) = Amplify)
Chapter 16: Challenging Romaphobia: The Case of a Romanian Carnival Mask at
Mucem Julia Ferloni and Emilie Sitzia
Chapter 17: Lock & Key Creative Expression Lab: A Curated Space During the
Pandemic Ashley Hartman and Melanie Rosato
Mediate(Audience (x) + Lone Creative (y) + Democratization of Culture =
Mediate)
Chapter 18: The Same Four Walls: Inspiration and Reflection During a Global
PandemicLesley Marchessault
Chapter 19: SCREEN IT: Mediation-Driven Inclusive Approach to Art,
Technology, and Audiences Pieter Jan Valgaeren
Inspire(Audience (x) + Lone Creative (y) + Cultural Democracy (z) =
Inspire)
Chapter 20: The Boneyard: Inspiring through In-Gallery Artist
Demonstrations Courtney Taylor, Andy Shaw, and Grant Benoit
Chapter 21: There is No Planet B! An Audience Participation Project Meant
to Inspire Aline Van Nereaux
EmpowerAudience (x) + Collaborative (y) + Democratization of Culture (z) =
Empower)
Chapter 22: EmPOWER: Learning from our Youngest Community Members at the
Clyfford Still Museum Nicole Cromartie and Bailey H. Placzek
Chapter 23: Anybody Home? Roselyne Francken and Tammy Wille
Act(Audience (x) + Collaborative (y) + Cultural Democracy (z) = Act)
Chapter 24: Collaborative Reach of a Site-Specific Exhibition that
Addresses School Segregation Katie Fuller and Patricia O'Rourke
Chapter 25: Boundless Hospitality: M From a Different Perspective Sofie
Vermeiren
Part IV: Curatorial Change and Tools
Chapter 26: One Museum, Three Dimensions of Curation: A Script Jay Boda,
Charlie Farrell, Madison Grigsby, Anneliese Hardman
Chapter 27: You Say You Want a Revolution: Empowering the Edu-Curator Emily
Dellheim,
Chapter 28: M Leuven: A Holistic Approach in Exhibition MakingPeter
Carpreau and Sofie Vermeiren
Chapter 29: Inclusive Curatorial Practice Lynette A. Zimmerman
Chapter 30: Toward an Interactive Model of Competing Values: From
Visualization to Toolkit Morgan Joseph Hamilton
Chapter 31: Dimensions of Education: Adapting the Curatorial Model for
Museum Education Audrey Jacobs and Ashley Williams
About the Contributors