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Autorenporträt
Vybarr Cregan-Reid is Lecturer in Nineteenth-Century Literature at the University of Kent
Inhaltsangabe
Part I - Gilgamesh Introduction 1. Discovering Gilgamesh Part II - Narrative and the historical sublime 2. Capturing time: the iconography of water in painting and photography 3. Forgetting the past and the future: Macaulay, Carlyle, and the 'shoreless chaos' of history 4. Present endings: rethinking closure in the Victorian novel Part III - Geology, Gilgamesh, and the historical sublime 5. Conclusion: Gilgamesh and the resublimation of deep time Select bibliography Index
Part I - Gilgamesh Introduction 1. Discovering Gilgamesh Part II - Narrative and the historical sublime 2. Capturing time: the iconography of water in painting and photography 3. Forgetting the past and the future: Macaulay, Carlyle, and the 'shoreless chaos' of history 4. Present endings: rethinking closure in the Victorian novel Part III - Geology, Gilgamesh, and the historical sublime 5. Conclusion: Gilgamesh and the resublimation of deep time Select bibliography Index
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