Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
The reception of art and performance is changing. Smartphones and social media have troubled the old model of individual appreciation and close looking, giving rise to new forms of mediated perception, such as sampling, skimming and scrolling. Charting recent trends in contemporary practice - research-based installations, performance exhibitions, interventions, and invocations of modernist architecture - leading art critic Claire Bishop challenges the assumption that fully focused attention is automatically good and distraction necessarily bad.
The reception of art and performance is changing. Smartphones and social media have troubled the old model of individual appreciation and close looking, giving rise to new forms of mediated perception, such as sampling, skimming and scrolling. Charting recent trends in contemporary practice - research-based installations, performance exhibitions, interventions, and invocations of modernist architecture - leading art critic Claire Bishop challenges the assumption that fully focused attention is automatically good and distraction necessarily bad.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, D ausgeliefert werden.
Die Herstellerinformationen sind derzeit nicht verfügbar.
Autorenporträt
Claire Bishop is a Professor in the PhD Program in Art History at the Graduate Center, City University of New York. Her books include Installation Art: A Critical History and the award winning, Artificial Hells: Participatory Art and the Politics of Spectatorship.
Inhaltsangabe
Introduction: OS XXI, Disordering Attention
1 Research-Based Art: Information Overload 2 Performance Exhibitions: Black Box, White Cube, Grey Zone 3 Interventions: Seizing the Moment 4 Invocations: Contemporary Art Quotes Modernist Architecture
Epilogue Acknowledgements Notes Illustration Credits Index
1 Research-Based Art: Information Overload 2 Performance Exhibitions: Black Box, White Cube, Grey Zone 3 Interventions: Seizing the Moment 4 Invocations: Contemporary Art Quotes Modernist Architecture
Epilogue Acknowledgements Notes Illustration Credits Index
Rezensionen
Today, the most contemporary art form could be called cancelism. Cancelism as an art historical genre reflects the global shift to populism, disinformation and polarization. Cancelism is anonymous, crowd based, ubiquitous, it privileges affect over analysis, it goes beyond traditional understandings of left and right. In her lucid analysis, Claire Bishop traces some of the historical developments that led to this situation: the futurist glorification of disruption, countercultural interventions based on the model of coup d´états, artivist decisionism - different threads through which disruption and transgression were consolidated as key modes of production from Silicon Valley to Pussy Riot. For anyone who wants to understand how art functions in the age of populism, Bishops book is an indispensable guide. Hito Steyerl, author of Duty Free Art
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826