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After the appearance of Fleur Adcock's Poems 1960-2000 she wrote no more poems for several years. This cessation coincided with but was not entirely caused by her giving up smoking. When poetry returned to her in 2003 it tended towards a sparer, more concentrated style. Dragon Talk , published in 2010, reflected her continuing preoccupations with family matters and her ambivalent feelings about her native New Zealand.
Her initial inspiration was the letters her father wrote home from England to his parents during World War II, which evoked her own memories of that era. The central sequence
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Produktbeschreibung
After the appearance of Fleur Adcock's Poems 1960-2000 she wrote no more poems for several years. This cessation coincided with but was not entirely caused by her giving up smoking. When poetry returned to her in 2003 it tended towards a sparer, more concentrated style. Dragon Talk, published in 2010, reflected her continuing preoccupations with family matters and her ambivalent feelings about her native New Zealand.



Her initial inspiration was the letters her father wrote home from England to his parents during World War II, which evoked her own memories of that era. The central sequence moves from her first coming to consciousness in New Zealand up to and through the war years in Britain and on to sketches from her teens in puritanical postwar Wellington after her reluctant return not without her usual sardonic eye for incongruities and absurdities. There are also affectionate poems for her grandchildren and her late mother.



Fleur Adcock (1934-2024) was one of Britain's most accomplished poets. Her poised, ironic poems are tense and tightly controlled as well as shrewdly laconic, and often chilling as she unmasks the deceptions of love or unravels family lives. Disarmingly conversational in style, they are remarkable for their psychological insight and their unsentimental, mischievously casual view of personal relationships. Born in New Zealand, she explored questions of identity and rootedness throughout her work, both in relation to her personal allegiances to her native and adopted countries as well as her family history, whose long-dead characters she brings to life. She also wrote movingly of birth, death and bereavement, and has tackled political issues with honest indignation and caustic wit.



Her first Bloodaxe retrospective, Poems 1960-2000, was followed by five further collections, all of which remain available as separate editions. They are also included in full in her Collected Poems. This first complete edition of her poetry was published on her 90th birthday in February 2024, superseding her earlier retrospective, with the addition of Dragon Talk (2010), Glass Wings (2013), The Land Ballot (2015), Hoard (2017) and The Mermaid's Purse (2021), along with a gathering of 20 new poems.


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Autorenporträt
Fleur Adcock (1934-2024) was born in New Zealand in 1934. She spent the war years in England, returning with her family to New Zealand in 1947. She emigrated to Britain in 1963, working as a librarian in London until 1979. In 1977-78 she was writer-in-residence at Charlotte Mason College of Education, Ambleside. She was Northern Arts Literary Fellow in 1979-81, living in Newcastle, becoming a freelance writer after her return to London. She received an OBE in 1996, and The Queen's Gold Medal for Poetry in 2006 for Poems 1960-2000 (Bloodaxe Books, 2000). In October 2019 Fleur Adcock was presented with the New Zealand Prime Minister's Award for Literary Achievement in Poetry 2019 by the Rt Hon (now Dame) Jacinda Ardern. Fleur Adcock published three pamphlets with Bloodaxe: Below Loughrigg (1979), Hotspur (1986) and Meeting the Comet (1988), as well as her translations of medieval Latin lyrics, The Virgin & the Nightingale (1983). She also published two translations of Romanian poets with Oxford University Press, Orient Express by Grete Tartler (1989) and Letters from Darkness by Daniela Crasnaru (1994). All her other collections were published by Oxford University Press until they shut down their poetry list in 1999, after which Bloodaxe published her Poems 1960-2000 (2000), followed by Dragon Talk (2010), Glass Wings (2013), The Land Ballot (2015), Hoard (2017) and The Mermaid's Purse (2021). Poems 1960-2000 and Hoard were Poetry Book Society Special Commendations while Glass Wings was a Poetry Book Society Recommendation. Fleur Adcock's Collected Poems was published by Bloodaxe Books in hardback and paperback on her 90th birthday, 10 February 2024. This is an expanded edition of the Collected Poems published in New Zealand in hardback only by Victoria University Press in 2019. The expanded edition was published simultaneously in New Zealand in paperback only by the same publisher, now known as Te Herenga Waka University Press.