Early Printed Music and Material Culture in Central and Western Europe (eBook, PDF)

Redaktion: Lindmayr-Brandl, Andrea; Mcdonald, Grantley

• Format: PDF

Produktbeschreibung

This book presents a varied and nuanced analysis of the dynamics of the printing, publication, and trade of music in the sixteenth and early seventeenth centuries across Western and Northern Europe.

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Produktdetails

• Verlag: Taylor & Francis eBooks
• Seitenzahl: 356
• Erscheinungstermin: 4. Mai 2021
• Englisch
• ISBN-13: 9781000387032
• Artikelnr.: 61762811

Inhaltsangabe

Introduction: music among the bibliographic disciplines



Kate van Orden



PART I

Type

1 The pioneers of mensural music printing in German-speaking lands:
networks and type repertoria



Andrea Lindmayr-Brandl

2 Printed music papers: research opportunities and challenges



John Milsom



PART II

Notes

3 Musical editions for the Protestant churches of Strasbourg until the end of the Interim (1555)



Beat Föllmi



4 Reading the Melopoiae (1507): a search for its owners and users



Elisabeth Giselbrecht



PART III

Music printing at Wittenberg

5 Power and ambition: Georg Rhau's strategies for music publishing



Moritz Kelber



6 Three Libri missarum of early Lutheran Germany: some reflections on their repertory



Carlo Bosi



PART IV

Music printing in the Low Countries

7 A date with Tylman Susato: reconsidering the printer's editions

Martin Ham

8 The music printers Madeleine and Marie Phalèse in Antwerp, 1629-1675

Maria Schildt

PART V

Printing privileges

9 Privileges for printed music in the Holy Roman Empire during the sixteenth century



Grantley McDonald and Stephen Rose



10 'Unbelievably hard work': Marin Mersenne's Harmonie universelle at the printers



Leendert van der Miesen



PART VI

The book trade

11 The Montanus & Neuber catalogue of 1560: prices, losses, and a new polyphonic music edition from 1556



Royston Gustavson



12 The Officina Plantiniana as publishers and distributors of music, 1578-1600



Louisa Hunter-Bradley



13 Competition, collaboration and consumption: early music printing in Seville



Iain Fenlon