Prescott's writing has an immediacy and vivacity that suggests what it was like to read new books during his time. Here is one critic's view--ironic and complex--of good books by famous writers like Norman Mailer, Jorge Luis Borges, Joyce Carol Oates, Aleksandr Solzhenitsyn, and Vladimir Nabokov, as well as of good books by little-known writers and others who would later achieve reknown. Here, too, is some astringent criticism of distinguished and popular authors who have fallen into self-indulgence. Prescott writes about the New Journalism in its early days and about fragmentary autobiography as a literary form--genres whose importance he was among the first to recognize. His essays also touch on theater, film, food, and politics.
The criticism in this volume are examples of the literary essay in its truest sense--an attempt to explore, in however brief space allowed, what the author sees around him, and connections between books and other aspects of the way people live. Always personal and urbane, these essays are often hilarious, generally moving, and exemplify the essay as an art form.
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