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The collection explores various methods of screen-writing for essay film, through a diverse set of reflections and analyses of canonical and unconventional approaches of essay filmmaking. It includes contributions from filmmakers and practice-led researchers, who reflect on their production process in the form of production diaries or self-critique, and analyses from scholars who investigate the production contexts of essay film, as well as interviews with filmmakers on how their practices are conceptualised and contextualised. Overall, it takes essay film as an expression of personal camera,…mehr
The collection explores various methods of screen-writing for essay film, through a diverse set of reflections and analyses of canonical and unconventional approaches of essay filmmaking. It includes contributions from filmmakers and practice-led researchers, who reflect on their production process in the form of production diaries or self-critique, and analyses from scholars who investigate the production contexts of essay film, as well as interviews with filmmakers on how their practices are conceptualised and contextualised. Overall, it takes essay film as an expression of personal camera, collaborative/collective work, and experimental work where the boundaries between different art forms blurs and merges.
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Autorenporträt
Romana Turina is associate professor at Arts University Bournemouth. Her acclaimed work includes the essay films Lunch with Family, San Sabba, and Three Sisters in a Sketchbook. Kiki Tianqi Yu is a writer, filmmaker, curator, and senior lecturer in film at Queen Mary University of London. She is the author of 'My' Self on Camera: First Person Documentary Practice in an Individualising China and coeditor of China's iGeneration: Cinema and Moving Image Culture for the 21st Century, and her films include Memory of Home, China's van Goghs, and The Two Lives of Li Ermao.
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