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Ethics in Contact Rhetoric re-orients communication theory by centering touch and de-centering symbolic acts. Inspired by MLK's tradition of nonviolent power, a contact orientation highlights the incarnate and immediate ground of communication ethics. Ethical interactions are defined as bio-relational dances arcing steps of nurture, respect, justice, and too often, violence. Centering humanity's physical mutuality is a vital move today. Communication is a thoroughly interactive art, but the West's ancient "instrumental" tradition of rhetoric and its accompanying utilitarian ethic valorize…mehr
Ethics in Contact Rhetoric re-orients communication theory by centering touch and de-centering symbolic acts. Inspired by MLK's tradition of nonviolent power, a contact orientation highlights the incarnate and immediate ground of communication ethics. Ethical interactions are defined as bio-relational dances arcing steps of nurture, respect, justice, and too often, violence. Centering humanity's physical mutuality is a vital move today. Communication is a thoroughly interactive art, but the West's ancient "instrumental" tradition of rhetoric and its accompanying utilitarian ethic valorize individual agency over joint action. This book re-balances rhetorical theory by enabling critique of embodied relational patterns. Special emphasis is placed on engaging material injustice and discerning the role of rhetoric in social transformation. Critical case studies demonstrate contact rhetoric's rich heuristic and diverse applications.
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Autorenporträt
Jon Radwan is associate professor of communication and director of the Institute for Communication and Religion in Seton Hall University's College of Human Development, Culture, and Media.
Inhaltsangabe
Preface: On Co-writing More, Rhetorical Touch, and Dancing Temples of Hope Introduction: On Feelings, Dance Terms, and Forming Rhetorical Critics Chapter 1: Centering Contact, Dancing Attitudes: On King Midas' Touch and Defining Terms Jon Radwan Chapter 2: Contact Rhetoric: Bodies and Love in Deus Caritas Est Jon Radwan Chapter 3: Conquest and Rhetorical Force: Truth, Mutuality, and Just Dancing in Relational Gravity Jon Radwan Chapter 4: With or Without God: Dancing and the Apocalypse Omar Swartz Chapter 5: "I Am Prepared to Die:" Mandela's Rivonia Address and Sabotage as Rhetorical Contact Jon Radwan, Dale Cyphert, and Ellen Gorsevski Chapter 6: Choosing: The Violence of Iowa Nice or an Ethical Bar Fight Dale Cyphert Chapter 7: Interspecies Communication Ethics and Relational Force: From Repression to Restorative Ecological Justice Ellen Gorsevski Chapter 8: Terrorism, Direction Action, and Holding Prisoners: Rhetorical Dimensions of Violent Contact Jon Radwan
Preface: On Co-writing More, Rhetorical Touch, and Dancing Temples of Hope Introduction: On Feelings, Dance Terms, and Forming Rhetorical Critics Chapter 1: Centering Contact, Dancing Attitudes: On King Midas' Touch and Defining Terms Jon Radwan Chapter 2: Contact Rhetoric: Bodies and Love in Deus Caritas Est Jon Radwan Chapter 3: Conquest and Rhetorical Force: Truth, Mutuality, and Just Dancing in Relational Gravity Jon Radwan Chapter 4: With or Without God: Dancing and the Apocalypse Omar Swartz Chapter 5: "I Am Prepared to Die:" Mandela's Rivonia Address and Sabotage as Rhetorical Contact Jon Radwan, Dale Cyphert, and Ellen Gorsevski Chapter 6: Choosing: The Violence of Iowa Nice or an Ethical Bar Fight Dale Cyphert Chapter 7: Interspecies Communication Ethics and Relational Force: From Repression to Restorative Ecological Justice Ellen Gorsevski Chapter 8: Terrorism, Direction Action, and Holding Prisoners: Rhetorical Dimensions of Violent Contact Jon Radwan
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