Sie sind bereits eingeloggt. Klicken Sie auf 2. tolino select Abo, um fortzufahren.
Bitte loggen Sie sich zunächst in Ihr Kundenkonto ein oder registrieren Sie sich bei bücher.de, um das eBook-Abo tolino select nutzen zu können.
A rebuttal to Aeschylus's Oresteia, Every Form of Ruin posits the Erinyes' fury as righteous, understanding Clytemnestra's rageful response to loss, and refusing Iphigenia's relegation to a footnoted sacrifice. A fierce and darkly funny examination of anger, these lyrical poems push back against silencing by playing witness to a world where the experiences of women, nonbinary, and femme-identifying people are too often ignored, their responses dismissed as hysterical. These poems are also investigations into the loneliness of midlife; the search for one's own self when that self has given its…mehr
A rebuttal to Aeschylus's Oresteia, Every Form of Ruin posits the Erinyes' fury as righteous, understanding Clytemnestra's rageful response to loss, and refusing Iphigenia's relegation to a footnoted sacrifice. A fierce and darkly funny examination of anger, these lyrical poems push back against silencing by playing witness to a world where the experiences of women, nonbinary, and femme-identifying people are too often ignored, their responses dismissed as hysterical. These poems are also investigations into the loneliness of midlife; the search for one's own self when that self has given its life to service. Every Form of Ruin counters our culture's erasure of women and resists the categorizations of maiden, mother, crone by blurring those distinctions through the creation of voices that are moved by rage and resistance. BLACK THUMB The dogwood was threatening to swallow the back garden's light, so I borrowed a chainsaw and gas. Its last berries a memory of red, the fruit bitter, tiny angry mangos in the mouth of its killer. Nights my son chooses his father to read him into silence, I practice not loving anything. Less like learning than remembering. As a child, I studied how to be a child. I was given a doll to care for but could never remember its name. I left her face down everywhere.
Dieser Download kann aus rechtlichen Gründen nur mit Rechnungsadresse in A, D ausgeliefert werden.
Die Herstellerinformationen sind derzeit nicht verfügbar.
Autorenporträt
Erin Adair-Hodges is the author of Let's All Die Happy, winner of the Agnes Lynch Starrett Poetry Prize. Recipient of the Allen Tate Prize and the Loraine Williams Poetry Prize, her work has been featured in American Poetry Review, Gulf Coast, Kenyon Review, PBS NewsHour, Ploughshares, Sewanee Review, and more. Born and raised in New Mexico, she now lives with her family in Kansas City, Missouri, and works as a fiction acquisitions editor.
Es gelten unsere Allgemeinen Geschäftsbedingungen: www.buecher.de/agb
Impressum
www.buecher.de ist ein Internetauftritt der buecher.de internetstores GmbH
Geschäftsführung: Monica Sawhney | Roland Kölbl | Günter Hilger
Sitz der Gesellschaft: Batheyer Straße 115 - 117, 58099 Hagen
Postanschrift: Bürgermeister-Wegele-Str. 12, 86167 Augsburg
Amtsgericht Hagen HRB 13257
Steuernummer: 321/5800/1497
USt-IdNr: DE450055826