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Hochstapler geben vor, jemand zu sein, der sie nicht sind. Sie konstruieren eine Lebensgeschichte, die sich bestimmter kultureller Vorannahmen und Stereotype bedient, um für andere glaubhaft zu sein. Doch ist Identität nicht stets auch Produkt eines erzählerischen Selbstentwurfs? Am Beispiel von wahren und imaginierten Fällen von Betrügern in Nordamerika fragen die Beiträge des Bandes nach den Motiven von Hochstapelei, den Mechanismen der Täuschung - und warum diese funktionieren.
Hochstapler geben vor, jemand zu sein, der sie nicht sind. Sie konstruieren eine Lebensgeschichte, die sich bestimmter kultureller Vorannahmen und Stereotype bedient, um für andere glaubhaft zu sein. Doch ist Identität nicht stets auch Produkt eines erzählerischen Selbstentwurfs? Am Beispiel von wahren und imaginierten Fällen von Betrügern in Nordamerika fragen die Beiträge des Bandes nach den Motiven von Hochstapelei, den Mechanismen der Täuschung - und warum diese funktionieren.
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Inhaltsangabe
Table of Contents
Acknowledgments9
Introduction11Caroline Rosenthal and Stefanie Schäfer
Faking It: Real Impostors and the Fabrication of Identities
The Message Becomes the Messenger: Jonathan Carver's Travels between Imposture and Nationalist Self-Fashioning27Ramin Djahazi
'The Wish to be a Red Indian': The Canadian Dream of Grey Owl45Caroline Rosenthal
The Curious Case of Asa Carter and The Education of Little Tree62Laura Browder
The Impostor as Trickster as Innovator: A Re-Reading of Carlos Castaneda's Don Juan Cycle81Stefan Löchle
Making the Fake: Fake Identities in Literature, Film, and TV
"You Do an Awfully Good Impression of Yourself": Authorial Impostors in Contemporary American Fiction99Jan D. Kucharzewski
Reading Fiction under False Assumptions? Emma Dunham Kelley-Hawkins and her Posthumous Passing for Black111Yulia Kozyrakis
Unwilling Impostors, Willing Victims: Passing in Two Nineteenth-Century Cuban Novels126Victor Goldgel
From Rinehartism to Capgras: Imposture and the American Dream143Christian Knirsch
Watch Me If You Can: The Return of the Impostor in Contemporary Film159Wieland Schwanebeck
The Con Man and the Close-Up: Imposture in Paul Thomas Anderson's There Will Be Blood175Martin Holtz
"A Man is Whatever Room He's in": Identity, Home, and Nostalgia in AMC's Mad Men190Stefanie Mueller
AlterNatives?-A Coda
Identity Joyriding with the Trickster in Drew Hayden Taylor's Motorcycles & Sweetgrass211Maryann Henck
Pretending to Be an Impostor 227Drew Hayden Taylor
Contributors231
Index234
Table of Contents
Acknowledgments9
Introduction11 Caroline Rosenthal and Stefanie Schäfer
Faking It: Real Impostors and the Fabrication of Identities
The Message Becomes the Messenger: Jonathan Carver's Travels between Imposture and Nationalist Self-Fashioning27 Ramin Djahazi
'The Wish to be a Red Indian': The Canadian Dream of Grey Owl45 Caroline Rosenthal
The Curious Case of Asa Carter and The Education of Little Tree62 Laura Browder
The Impostor as Trickster as Innovator: A Re-Reading of Carlos Castaneda's Don Juan Cycle81 Stefan Löchle
Making the Fake: Fake Identities in Literature, Film, and TV
"You Do an Awfully Good Impression of Yourself": Authorial Impostors in Contemporary American Fiction99 Jan D. Kucharzewski Reading Fiction under False Assumptions? Emma Dunham Kelley-Hawkins and her Posthumous Passing for Black111 Yulia Kozyrakis
Unwilling Impostors, Willing Victims: Passing in Two Nineteenth-Century Cuban Novels126 Victor Goldgel
From Rinehartism to Capgras: Imposture and the American Dream143 Christian Knirsch
Watch Me If You Can: The Return of the Impostor in Contemporary Film159 Wieland Schwanebeck
The Con Man and the Close-Up: Imposture in Paul Thomas Anderson's There Will Be Blood175 Martin Holtz
"A Man is Whatever Room He's in": Identity, Home, and Nostalgia in AMC's Mad Men190 Stefanie Mueller
AlterNatives?-A Coda
Identity Joyriding with the Trickster in Drew Hayden Taylor's Motorcycles & Sweetgrass211 Maryann Henck
Pretending to Be an Impostor 227 Drew Hayden Taylor
Introduction11Caroline Rosenthal and Stefanie Schäfer
Faking It: Real Impostors and the Fabrication of Identities
The Message Becomes the Messenger: Jonathan Carver's Travels between Imposture and Nationalist Self-Fashioning27Ramin Djahazi
'The Wish to be a Red Indian': The Canadian Dream of Grey Owl45Caroline Rosenthal
The Curious Case of Asa Carter and The Education of Little Tree62Laura Browder
The Impostor as Trickster as Innovator: A Re-Reading of Carlos Castaneda's Don Juan Cycle81Stefan Löchle
Making the Fake: Fake Identities in Literature, Film, and TV
"You Do an Awfully Good Impression of Yourself": Authorial Impostors in Contemporary American Fiction99Jan D. Kucharzewski
Reading Fiction under False Assumptions? Emma Dunham Kelley-Hawkins and her Posthumous Passing for Black111Yulia Kozyrakis
Unwilling Impostors, Willing Victims: Passing in Two Nineteenth-Century Cuban Novels126Victor Goldgel
From Rinehartism to Capgras: Imposture and the American Dream143Christian Knirsch
Watch Me If You Can: The Return of the Impostor in Contemporary Film159Wieland Schwanebeck
The Con Man and the Close-Up: Imposture in Paul Thomas Anderson's There Will Be Blood175Martin Holtz
"A Man is Whatever Room He's in": Identity, Home, and Nostalgia in AMC's Mad Men190Stefanie Mueller
AlterNatives?-A Coda
Identity Joyriding with the Trickster in Drew Hayden Taylor's Motorcycles & Sweetgrass211Maryann Henck
Pretending to Be an Impostor 227Drew Hayden Taylor
Contributors231
Index234
Table of Contents
Acknowledgments9
Introduction11 Caroline Rosenthal and Stefanie Schäfer
Faking It: Real Impostors and the Fabrication of Identities
The Message Becomes the Messenger: Jonathan Carver's Travels between Imposture and Nationalist Self-Fashioning27 Ramin Djahazi
'The Wish to be a Red Indian': The Canadian Dream of Grey Owl45 Caroline Rosenthal
The Curious Case of Asa Carter and The Education of Little Tree62 Laura Browder
The Impostor as Trickster as Innovator: A Re-Reading of Carlos Castaneda's Don Juan Cycle81 Stefan Löchle
Making the Fake: Fake Identities in Literature, Film, and TV
"You Do an Awfully Good Impression of Yourself": Authorial Impostors in Contemporary American Fiction99 Jan D. Kucharzewski Reading Fiction under False Assumptions? Emma Dunham Kelley-Hawkins and her Posthumous Passing for Black111 Yulia Kozyrakis
Unwilling Impostors, Willing Victims: Passing in Two Nineteenth-Century Cuban Novels126 Victor Goldgel
From Rinehartism to Capgras: Imposture and the American Dream143 Christian Knirsch
Watch Me If You Can: The Return of the Impostor in Contemporary Film159 Wieland Schwanebeck
The Con Man and the Close-Up: Imposture in Paul Thomas Anderson's There Will Be Blood175 Martin Holtz
"A Man is Whatever Room He's in": Identity, Home, and Nostalgia in AMC's Mad Men190 Stefanie Mueller
AlterNatives?-A Coda
Identity Joyriding with the Trickster in Drew Hayden Taylor's Motorcycles & Sweetgrass211 Maryann Henck
Pretending to Be an Impostor 227 Drew Hayden Taylor
Contributors231
Index234
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