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Fashion Narrative and Translation: Is Vanity Fair? combines comparative literature, fashion, and translation studies in their interactional roles. The integrated approach provides an innovative blended approach to comparative literature studies benefiting from growing fields of fashion and translation. Within the descriptive frame of fashion concepts and themes, the research furthers the analysis of multiple translations (English and Romance languages) to costume design in film adaptations, from page to screen. The eight chapters of the book are thematically structured raising crucial issues…mehr
Fashion Narrative and Translation: Is Vanity Fair? combines comparative literature, fashion, and translation studies in their interactional roles. The integrated approach provides an innovative blended approach to comparative literature studies benefiting from growing fields of fashion and translation. Within the descriptive frame of fashion concepts and themes, the research furthers the analysis of multiple translations (English and Romance languages) to costume design in film adaptations, from page to screen. The eight chapters of the book are thematically structured raising crucial issues about language and literature in verbal and visual representation and questioning the translatability of the fashion lexicon and lexicography.
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Autorenporträt
Rosanna Masiola is a retired professor of English, translation, and Anglo-American literature at the University for Foreigners of Perugia.
Inhaltsangabe
Acknowledgments Introduction: The Stuff of Words Chapter One: Fashion Semantics Chapter Two: Women, Vanity, and Mortiferous Mirrors Chapter Three: The Ambiguity of Luxury and Eastern Temptations Chapter Four: From Bonfires to Bonnets: The Antinomies of Fashion Discourse Chapter Five: The Balls before the Battles Chapter Six: Ribbons and Laces: Symbols of Seduction Chapter Seven : Taming, Tailoring, and Domestication: The Shrew Translated Chapter Eight: Manhattan Macabre, Murders and the Made in Italy References Index About the Author
Acknowledgments Introduction: The Stuff of Words Chapter One: Fashion Semantics Chapter Two: Women, Vanity, and Mortiferous Mirrors Chapter Three: The Ambiguity of Luxury and Eastern Temptations Chapter Four: From Bonfires to Bonnets: The Antinomies of Fashion Discourse Chapter Five: The Balls before the Battles Chapter Six: Ribbons and Laces: Symbols of Seduction Chapter Seven : Taming, Tailoring, and Domestication: The Shrew Translated Chapter Eight: Manhattan Macabre, Murders and the Made in Italy References Index About the Author
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