This is the first book in English to fully consider Lorca as a director and his rehearsal methodology. The book combines:
- A biographical account of Lorca's work as a director and rehearsal leader, revealing his techniques and methods of approach texts;
- An exploration of his key writings on and around theatre, drawing on his talks, play introductions, and some of the dramatic works themselves;
- The first translation into English of his fragment Dragón;
- A detailed discussion of Lorca's key productions, Lope de Vega's Fuente Ovejuna (1933) for La Barraca, and his own Yerma (1934).
- Specific focus on the practical applications that we can draw from Lorca's methods, both from what survives of his own work and from the accounts of his close collaborators.
As a first step towards critical understanding, and as an initial exploration before going on to further, primary research, Routledge Performance Practitioners offer unbeatable value for today's student.
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