Adopting a holistic approach covering both the humanities and the sciences-blending cognitive psychology, musical analysis, behavioral neuroscience, semiotics, linguistics, and other related fields-the author examines the perceptual and cognitive processes that elicit musical meaning in film and breathe life into our cinematic experiences. A clear and engaging writing style distills complex concepts, theories, and analytical methodologies into explanations accessible to readers from diverse disciplinary backgrounds, making it an indispensable companion for scholars and students of music, film studies, and cognition.
Across ten chapters, extensive appendices, and hundreds of film references, Film Music: Cognition to Interpretation offers a new mode of analysis, inviting readers to unlock a deeper understanding of the expressive power of film music.
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-Siu-Lan Tan, James A.B. Stone Professor of Psychology at Kalamazoo College
With a series of engaging examples and insightful interpretations, Juan Chattah masterfully guides the reader through a wide range of approaches-from the psychological to the semiotic-to explain how music and vocalization contribute to the meanings of films.
-Robert S. Hatten, Marlene and Morton Meyerson Professor in Music at The University of Texas at Austin
Through a wealth of film vignettes, the book delves deeply into the perceptual and cognitive processes that elicit musical meaning. I recommend this volume for anyone interested in learning more about how music influences our interpretations of films.
-Violetta Kostka, Professor of Humanities in Art Studies, Academy of Music in Gdansk








