Dominic Case

Film Technology in Post Production (eBook, PDF)

• Format: PDF

Produktbeschreibung

An easy to follow, quick reference introductory guide for beginning professionals and students in filmmaking and postproduction. It explains all film laboratory procedures in the context of the wide range of technology that is used by filmmakers, explaining what happens and why at every stage. A technical understanding of film processing and printing, telecine and laboratory and digital processes will help you get the best results for your film. The book is particularly useful for those who have come to film making from other media - video or digital.

The book is based on the author's own experience as a lab technician and technical film consultant and provides answers to many frequently asked questions. The different pathways for film production and postproduction are demonstrated as well as the function of the lab at each stage of the process. The complete range of services is offered, with particular emphasis on the often confusing requirements for super 16 and the blow up to 35mm, the intricacies of negative cutting to match a non-linear edit and the process of grading and regrading for the answer print.

This new edition includes:
* An update on all digital formats of image and sound
* Revision sections on Super 16, Super 35
* Additional information on syncing rushes at telecine and to digital images
* The latest telecine machines
* A new, clear and simple glossary

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Produktdetails

• Verlag: Taylor & Francis eBooks
• Seitenzahl: 224
• Erscheinungstermin: 26. April 2013
• Englisch
• ISBN-13: 9781136049781
• Artikelnr.: 38252367

Autorenporträt

Dominic Case

Inhaltsangabe

Part 1 Film Technology in Context
Chapter 1 Introduction
Chapter 2 Origins of Film and Video
Chapter 3 Film and Video: the Differences
Chapter 4 Film versus Video - or Film with Video
Chapter 5 Digital Film
Part 2 Post Production Pathways
Chapter 6 Film versus Video Production
Chapter 7 Traditional Sprocket Edit, Film Finish
Chapter 8 Non-linear Edit, Film Finish
Chapter 9 Non-linear Edit, Video Finish
Chapter 10 Supervision
Chapter 11 Lab Estimates
Chapter 12 Insurance, Liability, Troubleshooting Tests
Part 3 Film Stock
Chapter 13 mm Film
Chapter 14 mm Film
Chapter 15 Types of Colour Film Stock
Chapter 16 Black and White Film Stocks
Part 4 Film Processing
Chapter 17 Additive and Subtractive Colour
Chapter 18 Colour Specification and Perception
Chapter 19 The Photographic Emulsion
Chapter 20 Film Emulsion Layers
Chapter 21 Developing the Image
Chapter 22 The Processing Sequence
Chapter 23 Process Control Standards
Chapter 24 Units of Density
Chapter 25 Gamma
Chapter 26 Contrast and Latitude
Chapter 27 Graininess
Chapter 28 Black and White Negative
Chapter 29 Pushing and Flashing
Chapter 30 Cross-processing
Chapter 31 Bleach Bypass (Negative)
Chapter 32 Alternative Styles of Print
Part 5 Film Printing
Chapter 33 The film printing machine
Chapter 34 Colour Correction in Printers
Chapter 35 Film Grading Techniques
Chapter 36 Film Grading for Answer Print
Chapter 37 LAD Exposure and Grading Line-up
Chapter 38 Film Cleaning
Chapter 39 Clean-up Processes
Chapter 40 Wet Gate Printing
Chapter 41 Work Prints: Negative Reports
Chapter 42 Work Prints: Selecting and Screening
Chapter 43 Technical Problems at Rushes
Part 6 Negative Matching
Chapter 44 Keykodes
Chapter 45 Negative Cutting
Chapter 46 Preparing for Negative Cutting
Chapter 47 Cutting to an EDL
Chapter 48 Extracting Select Negative
Chapter 49 Splices
Chapter 50 A- and B-Rolls
Part 7 Laboratory Processes
Chapter 51 Duplication
Chapter 52 Emulsion Geometry
Chapter 53 Super 16: Special Considerations
Chapter 54 Making the Blow-up (1)
Chapter 55 Making the Blow-up (2)
Chapter 56 Super 35
Chapter 57 Other Film Formats
Chapter 58 Frameline Masking
Chapter 59 Optical Effects Printers
Chapter 60 Optical Effects
Chapter 61 Rostrum Camera
Chapter 62 Titles
Chapter 63 Printing from Black and White
Chapter 64 Mixing Black and White and Colour Footage
Chapter 65 Archival and Stock Footage
Chapter 66 Trailers
Part 8 Sound Transfer, Edit, Mix, Sync
Chapter 67 The Final Mix
Chapter 68 The Optical Sound Negative and Print
Chapter 69 Analogue Soundtrack Prints
Chapter 70 Syncing Picture and Sound Negatives
Chapter 71 Analogue Soundtrack Quality
Chapter 72 Digital Soundtracks
Part 9 Grading, Answer Print, Release Prints
Chapter 73 The Answer Print
Chapter 74 Release Prints
Chapter 75 The Film Projector
Chapter 76 Release Prints in Use
Chapter 77 Film Storage and Preservation
Chapter 78 Archival Restoration
Part 10 Telecine Transfers
Chapter 79 Telecine Machines (1)
Chapter 80 Telecine Machines (2)
Chapter 81 Which Format: Tape or Disk?
Chapter 82 Film and Video Frame Rates
Chapter 83 Video Transfers: Hybrid Frames
Chapter 84 Matching Film and Video Frame Counts
Chapter 85 Timecode
Chapter 86 Logging Keykodes and Timecodes (1)
Chapter 87 Logging Keykodes and Timecodes (2)
Chapter 88 Synchronizing Rushes (1)
Chapter 89 Synchronizing Rushes (2)
Chapter 90 Film for Telecine Transfer
Chapter 91 Grading on Telecine: Rushes Transfers
Chapter 92 Grading on Telecine: Masters
Chapter 93 Masking for TV
Chapter 94 Digital Television and Widescreen
Part 11 Digital Processes
Chapter 95 Digital Resolution
Chapter 96 Digital Origination
Chapter 97 Scanning and Recording
Chapter 98 Calibrating the Film Recorder
Chapter 99 Digital Grading
Chapter 100 Digital Effects for Film
Chapter 101 Kine Transfers: Video to Film
Chapter 102 Digital Cinema