Filming the Everyday (eBook, ePUB)

Independent Documentaries in Twenty-First-Century China
Redaktion: Pickowicz, Paul G.; Zhang, Yingjin

• Format: ePub

Produktbeschreibung

This cutting-edge book examines the rapidly developing scene of Chinese independent documentary, arguably the most courageous player in contemporary Chinese visual culture. The authors explore two areas that are of special interest to China studies and film studies, respectively: (1) filming the everyday in twenty-first-century China to foreground contestation and diversity and (2) exploring the aesthetic of remembering in an embodied documentary practice, which turns the gaze on artists themselves and encourages the viewer's engagement with the filmed subjects and environment. Highlighting documentary contestation in China, the book traces its cacophony of expressions, some of it featuring confrontations with domineering elites, some of it highlighting negotiations among the independent filmmakers themselves. Their goal is not a "movement" that seeks to establish and impose a single truth, but rather a creative dynamic that fosters a community of tolerance and respects diverse forms of expression. Independent documentary is quite literally a moving target that is witnessing ongoing and widening diversity and complexity when it comes to directors, themes, aesthetics, human subjects, audiences, and impact. The authors stress the enormous potential of cultural production that features non-elites (including amateurs) and that dwells on the everyday, the bottom up, the grassroots, the seemingly mundane, and the apparently marginal. The book's emphasis on contemporary issues and its discussion of aesthetic experiments will appeal to all readers interested in China's culture, media, politics, and society.

Produktdetails

• Verlag: Bloomsbury eBooks US
• Seitenzahl: 212
• Erscheinungstermin: 15. Dezember 2016
• Englisch
• ISBN-13: 9781442270251
• Artikelnr.: 47256142

Autorenporträt

Paul G. Pickowicz is Distinguished Professor Emeritus of History and Chinese Studies at the University of California, San Diego. Yingjin Zhang is Distinguished Professor of Literature and Chinese Studies at the University of California, San Diego.

Inhaltsangabe

Acknowledgments
Part I: Cultural Context
1. Introduction: Documenting China Independently, by Paul G. Pickowicz and
Yingjin Zhang
2. Who's Afraid of the Documentary Camera? Refiguring Reality, Memory, and
Power in Chinese Independent Documentary, by Yingjin Zhang
3. For Whom Does the Director Speak? The Ethics of Representation in
Documentary Film Criticism, by Yomi Braester,
Part II: Rural Reconfigurations
4. From Root-Searching to Grassroots: Returning to the Countryside in
Contemporary Chinese Fiction and Independent Documentary Film, by Angie
Chau
5. Zou Xueping's Postsocialist Homecoming, by Paul G. Pickowicz
Part III: Embodied Filmmaking
6. Looking Back while Marching Forward: Reconfiguration of Selfhood in the
Folk Memory Project, by Tong Wang
7. The Memory Projectand Other Ways of Knowing: Filmmaking, Affect, and
Embodied Knowledge, by Laura Kissel
Part IV: Documentary Enactments
8. Gendering Intersubjectivity in New Chinese Documentary: Feminist
Multiplicity and Vulnerable Masculinity in Postsocialist China, by Alvin
Wong
9. From Bumming to Roaming: Xu Tong's The Drifters Trilogy, by Yiman Wang
10. Documenting through Reenacting: Revisiting the Performative Mode in
Chinese Independent Documentaries, by Hongjian Wang
Appendix: Michael Berry, "Memory/Document: In Dialogue with Wu Wenguang's
Memory Project"
Documentary Filmography
About the Contributors