In the summer of 1857, when British newspapers warned of an approaching comet about to destroy the earth, an unusual-looking stranger arrived at Charles Dickens's home, Gad's Hill, in the countryside outside London. Dickens had met Hans Christian Andersen at a dinner party, a decade before, and, in a moment of desperation, had invited him to visit.
The visit did not go well. The eccentric Danish author of classic fairy tales, who barely spoke English, outstayed his welcome and alienated the Dickens household, which included nine children. Even the oblivious, obsessively self-conscious Andersen sensed the increasing tension between Dickens and his unhappy wife, Catherine, but was slow to understandor to believethat Dickens had fallen in love with a young actress appearing in his new play. For Andersen, those five weeks were a series of social mistakes and embarrassments but ultimately a lesson in how life's most humbling experiences can be transformed into art.
Five Weeks in the Country, a work of imaginative fiction inspired by actual events, is Francine Prose at her dazzling best.
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