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Drawing on interdisciplinary research methods from musicological and legal scholarship, this book maps the historical terrain of forensic musicology. It examines the contributions of musical expert witnesses, their analytical techniques, and the issues they encounter assisting courts in clarifying the blurred lines of music copyright.
Drawing on interdisciplinary research methods from musicological and legal scholarship, this book maps the historical terrain of forensic musicology. It examines the contributions of musical expert witnesses, their analytical techniques, and the issues they encounter assisting courts in clarifying the blurred lines of music copyright.
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Autorenporträt
Katherine M. Leo is assistant professor of music at Millikin University.
Inhaltsangabe
Chapter 1: The Foundations of Music Copyright Law and Musical Expertise Chapter 2: Judges, Experts, and Ordinary Listeners Chapter 3: Arnstein, Krofft, and the Narrowing Role of Expertise Chapter 4: The Problems with Arnstein and Krofft Chapter 5: Sampling Cases and the Digital Audio Revolution Chapter 6: New Standards of Musical Expertise Conclusion: The "Blurred Lines" of Contemporary Music Copyright Litigation
Chapter 1: The Foundations of Music Copyright Law and Musical Expertise Chapter 2: Judges, Experts, and Ordinary Listeners Chapter 3: Arnstein, Krofft, and the Narrowing Role of Expertise Chapter 4: The Problems with Arnstein and Krofft Chapter 5: Sampling Cases and the Digital Audio Revolution Chapter 6: New Standards of Musical Expertise Conclusion: The "Blurred Lines" of Contemporary Music Copyright Litigation
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