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It is a story I have been wanting to write for a long time, telling it as it really was before that whole world that I shared with Francis vanishes... Michael Peppiatt met Francis Bacon in June 1963 in Sohos French House to request an interview for a student magazine he was editing. Bacon invited him to lunch, and over oysters and Chablis they began a friendship and a no-holds-barred conversation that would continue until Bacons death thirty years later. Fascinated by the artists brilliance and charisma, Peppiatt accompanied him on his nightly round of prodigious drinking from grand hotel to…mehr
It is a story I have been wanting to write for a long time, telling it as it really was before that whole world that I shared with Francis vanishes... Michael Peppiatt met Francis Bacon in June 1963 in Sohos French House to request an interview for a student magazine he was editing. Bacon invited him to lunch, and over oysters and Chablis they began a friendship and a no-holds-barred conversation that would continue until Bacons death thirty years later. Fascinated by the artists brilliance and charisma, Peppiatt accompanied him on his nightly round of prodigious drinking from grand hotel to louche club and casino, seeing all aspects of Bacons gilded gutter life and meeting everybody around him, from Lucian Freud and Sonia Orwell to East End thugs; from predatory homosexuals to Andy Warhol and the Duke of Devonshire. He also frequently discussed painting with Bacon in his studio, where only the artists closest friends were ever admitted. The Soho photographer, John Deakin, who introduced the young student to the famous artist, called Peppiatt Bacons Boswell. Despite the chaos Bacon created around him Peppiatt managed to record scores of their conversations ranging over every aspect of life and art, love and death, the revelatory and hilarious as well as the poignantly tragic. Gradually Bacon became a kind of father figure for Peppiatt, and the two mens lives grew closely intertwined. In this intimate and deliberately indiscreet account, Bacon is shown close-up, grand and petty, tender and treacherous by turn, and often quite unlike the myth that has grown up around him. This is a speaking portrait, a living likeness, of the defining artist of our times.
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Autorenporträt
Michael Peppiatt graduated from Cambridge, where he edited Cambridge Opinion and wrote exhibition reviews for the Observer. In an international career spent between London, Paris and New York, Peppiatt has written regularly for Le Monde, the New York Times, the Financial Times, Art News and Art International magazine, which he re-launched as its new publisher and editor from Paris in 1985. He is the author of over twenty books including the definitive Bacon biography, Francis Bacon: Anatomy of an Enigma (revised edition 2008). In 2005 he was awarded a PhD by the University of Cambridge for his work in the field of twentieth-century art. Peppiatt has also curated numerous exhibitions worldwide, and he is currently at work on a major retrospective contrasting the achievements of the two modern artists he most admires: Alberto Giacometti and Francis Bacon.
Rezensionen
This fine portrait of the artist is both gossipy and poignant . [and] one of the best art books I have read, by turns atmospheric and waspishly gossipy but also profound and poignant. Michael Prodger The Times 20150829
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