The book proposes a global overview, one of the first of its kind, since its ambition is to systematically delimit the emergence of sound. Both well-known and lesser-known works and composers are analysed in detail; from Debussy to contemporary music in the early twenty-first century; from rock to electronica; from the sound objects of the earliest musique concrète to current electroacoustic music; from the Poème électronique of Le Corbusier-Varèse-Xenakis to the most recent inter-arts attempts.
Covering theory, analysis and aesthetics, From Music to Sound will be of great interest to scholars, professionals and students of Music, Musicology, Sound Studies and Sonic Arts.
Supporting musical examples can be accessed via the online Routledge Music Research Portal.
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'Without agreeing with everything [...] I really appreciate Makis Solomos' thesis-based music history of the long 20th century, because it provides both an overview of compositional directions and detailed analyses, it organizes both theoretical and aesthetic debates [...] and it develops both a thesis and its implications.' Julia H Schroëder, Journal of the German Musicological Society, Volume 73, Issue 4, (January 2020)








