Over the last decade Eoin's poetry has examined the working class experience, our relationship with nature and hidden family histories. In 'The Anchor Man,' the sepia tones of a photograph silently define the relationships between a grandfather and two young brothers. Otherwise silenced voices also feature strongly in his work - particularly those of the homeless, marginalized and mentally ill. Soil in 'The Bullfield' echoes the ghost voices of long-gone working men from its furrows.
Subscribing to the notion that all language is political, Devereux has no difficulty in being described primarily as a political poet. In Gardening Leave, readers can expect work that is bold, challenging and in places subversive.
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