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Only a fool would enter a film set without having first read this production manual. There is no faster way up the ladder than being prepared and no faster way out the door than by screwing up. This manual was created by a working PA as a tutorial for those starting out, or a reference guide for seasoned filmmakers.
Only a fool would enter a film set without having first read this production manual. There is no faster way up the ladder than being prepared and no faster way out the door than by screwing up. This manual was created by a working PA as a tutorial for those starting out, or a reference guide for seasoned filmmakers.
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Autorenporträt
Joshua A. Friedman is a working Production Assistant in New York City. Born in Stamford, Connecticut, he moved to the state of Georgia at the age of 12 when he became interested in theatre and film working on many productions and documentaries before studying theatre at the University of Maryland. After graduating in 2005, he moved to New York City where he currently resides. Over the past three years Mr. Friedman has worked on Law & Order: Criminal Intent, Fringe, Gossip Girl.
Inhaltsangabe
I. THE PEOPLE Production Department Unit Production Manager Assistant Directors Production Assistants Key PA 1st Team PA Background PA Walkie PA DGA/Paperwork PA Paperwork Survival Guide Additional PAs Working Crews Hair/Makeup & Wardrobe Locations Props Sound Camera Grip & Electric Scenic Set Dressing Script Supervisor Craft Services Transportation The Production Office Production Office Coordinator Asst. Production Office Coordinator Production Secretary Office PAs A Day in the Life II.THE ON SET EXPERIENCE Working On Set The Rehearsal Process Walkie Etiquette Lock Ups Interacting With Talent Photo Shoots Moving Vehicles Types of Work Days III. THE PAPERWORK The Callsheet The Production Report Schedule Timecards Petty Cash IV. TIPS AND THINGS TO KNOW Things to know before you get to set Prep How to Read a Script Things to Know On Set Equipment & Gear Camera Shots The Trucks Cappuccino vs. Lattes Gambling on Set V. HOW TO GET A JOB Types of Jobs PA Rates & Perks Resume Getting a Job The PA Ladder Wrapping Up Appendices A-D
I. THE PEOPLE Production Department Unit Production Manager Assistant Directors Production Assistants Key PA 1st Team PA Background PA Walkie PA DGA/Paperwork PA Paperwork Survival Guide Additional PAs Working Crews Hair/Makeup & Wardrobe Locations Props Sound Camera Grip & Electric Scenic Set Dressing Script Supervisor Craft Services Transportation The Production Office Production Office Coordinator Asst. Production Office Coordinator Production Secretary Office PAs A Day in the Life II.THE ON SET EXPERIENCE Working On Set The Rehearsal Process Walkie Etiquette Lock Ups Interacting With Talent Photo Shoots Moving Vehicles Types of Work Days III. THE PAPERWORK The Callsheet The Production Report Schedule Timecards Petty Cash IV. TIPS AND THINGS TO KNOW Things to know before you get to set Prep How to Read a Script Things to Know On Set Equipment & Gear Camera Shots The Trucks Cappuccino vs. Lattes Gambling on Set V. HOW TO GET A JOB Types of Jobs PA Rates & Perks Resume Getting a Job The PA Ladder Wrapping Up Appendices A-D
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