In this eerie, beautifully crafted novel, Gladys Swan presents an impressionistic palimpsest of myth and modern life, in which the present is revealed as only a play of light and shadow over a ghost dance that -- tenuously -- ensures the world's continued existence. Part history, part myth, part meditation on truth and illusion, the novel becomes a kaleidoscope of plots and subplots, each refracted through the perceptions -- the voices -- of a cast of characters as intriguing as the Southwest itself.
And as the town giddily whirls toward its rendezvous with truth, these characters find themselves precariously balanced between a lost past of blood-deep spirituality and an unknowable, terrifying future, between the world of drama and the drama of the world. Presiding over and in some mysterious way engineering this ultimate rendezvous is the oracular A.J. ("Bird") Peacock, archetypal trickster, Oberon, Puck, Prospero to the town. Truth, Bird points out, is not always comforting.
The truth (or a truth) is finally revealed when the voices of the title -- of the past, the land itself -- speak during the novel's apocalyptic conclusion. There, in the wilderness, in a dazzling play within a play, the past comes face-to-face with the present, the spiritual with the profane. In this crowning union of memory and desire, this shoring-up of fragments against ruin, the discerning reader will hear echoes of writers as disparate as Shakespeare, T.S. Eliot, and Joyce.
Never less than consummately entertaining, Ghost Dance: A Play of Voices works flawlessly on many levels at once. The demands of this remarkable novel are great, but so are its rewards.
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