This book draws on an extensive archive of performer interviews, recordings of rehearsal processes, and informal logs of travelling together and sharing experience. These accounts engage with the practical aesthetics of theatre-making as well as their much wider ethical and political implications, relevant to any collaborative process seeking to represent the under- or un-represented. Giving and Taking Voice in Learning Disabled Theatre asks how care and support can be tempered with artistic challenge and rigour and presents a case for how listening learning disabled artists to speech encourages attunement to indigenous knowledge and the cries of the planet in the current socio-ecological crisis.
This is a vital and valuable book for anyone interested in learning disabled theatre, either as a performer, director, dramaturg, critic, or spectator.
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"Through foregrounding the voices and artistic journeys of the Different Light performers, this book offers inspiring perspectives on what a 'good life' could look like for persons with learning disabilities, what they have to offer to society at large, and the role that theatre and performing arts can play in making this a reality." David O'Donnell in Australasian Drama Studies (ADS) Journal
"[McCaffrey provokes] critical shifts, not only in the aesthetic receptions of disability performance, but also in how disabled performers join their practices with the recuperation of disability as a creative method and epistemological advantage in a (seemingly) post-rehabilitation era. [...] McCaffrey examines 18 years of sustained theatre practice and research as it has existed alongside and with "the presence and voice of learning disabled artists" in Different Light Theatre (Christchurch, New Zealand). McCaffrey critically recounts the challenges faced when attempting to balance care and support with artistic rigor in learning disabled theatre." Elisabeth Motley in TDR: The Drama Review (69:2)








