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From Birth of a Nation to Cold Mountain, hundreds of directors, actors, and screenwriters have used the Civil War to create compelling cinema. However, each generation of moviemakers has resolved the tug of war between entertainment value and historical accuracy differently. Historian Brian Steel Wills takes readers on a journey through the portrayal of the war in film, exploring what Hollywood got right and wrong, how the films influenced each other, and, ultimately, how the movies reflect America's changing understandings of the conflict and of the nation.
From Birth of a Nation to Cold Mountain, hundreds of directors, actors, and screenwriters have used the Civil War to create compelling cinema. However, each generation of moviemakers has resolved the tug of war between entertainment value and historical accuracy differently. Historian Brian Steel Wills takes readers on a journey through the portrayal of the war in film, exploring what Hollywood got right and wrong, how the films influenced each other, and, ultimately, how the movies reflect America's changing understandings of the conflict and of the nation.
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Autorenporträt
Brian Steel Wills is director of the Center for the Study of the Civil War Era at Kennesaw State University. He is the author of The Confederacy's Greatest Cavalryman: Nathan Bedford Forrest, The War Hits Home: The Civil War in Southeastern Virginia, and No Ordinary College: A History of the University of Virginia at Wise.
Inhaltsangabe
Introduction: Hollywood's Civil War Chapter 1: The Birth of Civil War Cinema Chapter 2: Victory on the Rails Chapter 3: The Romantic Era of Civil War Cinema Chapter 4: The House Divided Chapter 5: The Personal War Chapter 6: War without Boundaries Chapter 7: The West's Civil War Chapter 8: Shiloh's Bloody Harvest Chapter 9: Confederates Raid Vermont Chapter 10: The Music Teacher Raids Mississippi Chapter 11: A Stomach for War Chapter 12: Enough Glory for All Chapter 13: The Angels of Gettysburg Chapter 14: The Plight of the Prisoners of War Chapter 15: The War and the Waves Conclusion: Screening the "Real War" Appendix A: Filmography Appendix B: Actors Who Wore the Blue Appendix C: Actors Who Wore the Gray Appendix D: The Best and Worse of Civil War Cinema Bibliography
Introduction: Hollywood's Civil War Chapter 1: The Birth of Civil War Cinema Chapter 2: Victory on the Rails Chapter 3: The Romantic Era of Civil War Cinema Chapter 4: The House Divided Chapter 5: The Personal War Chapter 6: War without Boundaries Chapter 7: The West's Civil War Chapter 8: Shiloh's Bloody Harvest Chapter 9: Confederates Raid Vermont Chapter 10: The Music Teacher Raids Mississippi Chapter 11: A Stomach for War Chapter 12: Enough Glory for All Chapter 13: The Angels of Gettysburg Chapter 14: The Plight of the Prisoners of War Chapter 15: The War and the Waves Conclusion: Screening the "Real War" Appendix A: Filmography Appendix B: Actors Who Wore the Blue Appendix C: Actors Who Wore the Gray Appendix D: The Best and Worse of Civil War Cinema Bibliography
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