When he confronts archives and historical cases, the logic becomes impossible to ignore. This is not only about isolated monsters, but about systems that learn to use vulnerable bodies without directly touching violence. Silence no longer appears as omission, but as engineering: fragmenting evidence, managing ambiguity, exhausting the public, moralizing doubt. In the final section, Samuel understands that the real dilemma is not discovering a definitive version of events, but deciding what to do with the fact of knowing. And there, the book crosses its most uncomfortable threshold: the place where each reader stops being a spectator and becomes an ethical subject.
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