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A four character thriller. Two east-end chancers, George and Lennie, have kidnapped wealthy heiress Charlotte Chamberlain and taken her to a remote farmhouse. George is confident her father will pay five million to get her back safely. But why did he insist on renting the farmhouse in Lennie's name? Does he plan to double cross Lennie, frame him for the crime and keep all the money himself? Will slow-witted Lennie work out what's going on in time to save himself? Or is the kidnap only a feint to disguise an infinitely more devious scheme? And who is really pulling the strings? This…mehr
A four character thriller. Two east-end chancers, George and Lennie, have kidnapped wealthy heiress Charlotte Chamberlain and taken her to a remote farmhouse. George is confident her father will pay five million to get her back safely. But why did he insist on renting the farmhouse in Lennie's name? Does he plan to double cross Lennie, frame him for the crime and keep all the money himself? Will slow-witted Lennie work out what's going on in time to save himself? Or is the kidnap only a feint to disguise an infinitely more devious scheme? And who is really pulling the strings?
This intriguing new drama will chill and thrill you and keep you guessing until the last nailbiting moment.
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Autorenporträt
Roger Mortimer-Smith was born in London. He studied music at Kingston University and Goldsmiths College; opera performance at Birkbeck College, Morley College and the City Lit; and playwriting with Simon Stephens, Graham Whybrow, Ola Animashawun and Nadine Khadr- Renton. His first play, Why Don't You Just Sing Jazz?, was performed as the last night of the Grimeborn Festival of Alternative Opera at the Arcola Theatre in Hackney in 2009, with support from the Arts Council and Hackney Council. His work has been translated into German, Polish and Italian. In addition to writing, he works as a fundraiser for the charity Street Kids Rescue. He lives in Hampton Court with his wife, opera singer Nadine Mortimer-Smith.
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