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Since the 1960s, artists have questioned the traditional idea of opposition between art and nature. They have incorporated animals and plants as co-actors in their work, and so established a sculptural aesthetic of the living, which called for a redefinition of the sculptural genre. This study is the first to examine so-called Non-Human Living Sculptures using the examples of Hans Haacke and Pierre Huyghe. Following a re-reading of the historiography of modernist sculpture, the author re-evaluates and expands on existing theories in individual work analyses. She shows how Haacke's real-time…mehr

Produktbeschreibung
Since the 1960s, artists have questioned the traditional idea of opposition between art and nature. They have incorporated animals and plants as co-actors in their work, and so established a sculptural aesthetic of the living, which called for a redefinition of the sculptural genre. This study is the first to examine so-called Non-Human Living Sculptures using the examples of Hans Haacke and Pierre Huyghe. Following a re-reading of the historiography of modernist sculpture, the author re-evaluates and expands on existing theories in individual work analyses. She shows how Haacke's real-time systems, determined by US systems theory, biology and cybernetics, as well as his rejection of the object aesthetic have shaped contemporary positions such as Huyghe's situational-aesthetic works.



  • First comprehensive academic study of socalled Non-Human Living Sculptures



  • Re-reading of the historiography of 20th century sculpture



  • Sculptural aesthetics of the living

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Autorenporträt
Ursula Ströbele has been Professor of Art Studies with a focus on contemporary art at the Braunschweig University of Art since October 2023. Prior to this post, she worked as a research associate at Zentralinstitut für Kunstgeschichte Munich. In 2019 she was curatorial director of the Kunstverein Arnsberg. In 2019/20 she curated the exhibition, Hans Haacke. Kunst Natur Politik (ZI Munich, Städtisches Museum Abteiberg, Mönchengladbach). From 2012-2018 she worked as a research associate at Berlin University of the Arts, where she co-founded the Scientific Network Theory of Sculpture. In 2010, she completed her PhD at Heinrich Heine University in Düsseldorf with a thesis on the sculptural admission pieces of the Royal Academy in Paris (1700-1730). In 2020, she was awarded her Habilitation for the thesis Extension of the Sculptural. Analyses and Theories of Current Border Phenomena: Non-Human Living Sculptures since the 1960s. Hans Haacke and Pierre Huyghe.